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The culture of opera buffa in Mozart's Vienna : a poetics of entertainment /
Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this book, Mary Hunter offers a sweeping, synthetic view of oper...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, N.J. :
Princeton University Press,
©1999.
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| Colección: | Princeton studies in opera.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Hunter, Mary Kathleen, |d 1951- | |
| 245 | 1 | 4 | |a The culture of opera buffa in Mozart's Vienna : |b a poetics of entertainment / |c Mary Hunter. |
| 260 | |a Princeton, N.J. : |b Princeton University Press, |c ©1999. | ||
| 300 | |a 1 online resource (xiii, 331 pages) : |b music | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Princeton studies in opera | |
| 504 | |a Includes bibliographical references (pages 313-322) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g pt. 1. |t Opera Buffa as Entertainment. |g Ch. 1. |t Opera Buffa as Sheer Pleasure. |g Ch. 2. |t Opera Buffa's Conservative Frameworks. |g Ch. 3. |t Opera Buffa's Social Reversals -- |g pt. 2. |t The Closed Musical Numbers of Opera Buffa and Their Social Implications. |g Ch. 4. |t Arias: Some Issues. |g Ch. 5. |t Class and Gender in Arias: Five Aria Types. |g Ch. 6. |t Ensembles. |g Ch. 7. |t Beginning and Ending Together: Introduzioni and Finales -- |g pt. 3. |t Cosi Fan Tutte le Opere? A Masterwork in Context. |g Ch. 8. |t Cosi fan tutte in Conversation. |g Ch. 9. |t Cosi fan tutte and Convention. |g App. 1. |t Operas Consulted -- |g App. 2. |t Musical Forms in Opera Buffa Arias -- |g App. 3. |t Plot Summaries for I finti eredi, Le gare generose, and L'incognita perseguitata. |
| 520 | |a Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph II was striving for a German national theater. Hunter attributes opera buffa's success to the "sheer" pleasure it can provide, and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions | ||
| 546 | |a English. | ||
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| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |t Operas. |
| 600 | 1 | 1 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |t Operas. |
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| 650 | 0 | |a Opera |z Austria |z Vienna |y 18th century. | |
| 650 | 6 | |a Opera buffa |z Autriche |z Vienne |y 18e siècle. | |
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| 776 | 0 | 8 | |i Print version: |a Hunter, Mary Kathleen, 1951- |t Culture of opera buffa in Mozart's Vienna. |d Princeton, N.J. : Princeton University Press, ©1999 |z 0691058121 |w (DLC) 98012583 |w (OCoLC)38304648 |
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