The historical performance of music : an introduction /

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This volume offers an overview of historical performance, surveying current issues, and suggesting future developments. Its kernel comprises discussion of the performer's primary source-materials and their interpretation, aspects of style and technique that combine to make up a well-grounded, p...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lawson, Colin (Colin James)
Otros Autores: Stowell, Robin
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, UK ; New York : Cambridge University Press, 1999.
Colección:Cambridge handbooks to the historical performance of music.
Temas:
Bach, Johann Sebastian, > 1685-1750. > Matthäuspassion.
Mozart, Wolfgang Amadeus, > 1756-1791. > Sérénades, > K. 370a (361), > si bémol majeur.
Berlioz, Hector, > 1803-1869. > Lélio.
Berlioz, Hector, > 1803-1869 > Symphonie fantastique.
Brahms, Johannes, > 1833-1897. > Symphonies, > no 2, op. 73, > ré majeur.
1700-1899
Performance practice (Music) > History > 18th century.
Performance practice (Music) > History > 19th century.
Pratique de l'exécution (Musique) > Histoire > 18e siècle.
Pratique de l'exécution (Musique) > Histoire > 19e siècle.
MUSIC > Instruction & Study > Techniques.
Performance practice (Music)
Historische Musikpraxis
Uitvoeringspraktijk.
Electronic books.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Music as history. Introduction. The nature and development of historical awareness. Influential reworkings of Bach and Handel. Historical considerations. The pioneers: individuals and institutions. The role of musical expression. Arguments pro and con. Post-war philosophies. Period Mozart and beyond. The current scene
  • The application of primary sources. Surviving instruments. Iconographical sources. Historical archives. Literary sources. Practical treatises : uses and limitations. Practical treatises : a summary. Theoretical treatises. The importance of communication. The role of editions. Musical taste
  • Changes in musical style. National idioms. Articulation. Melodic inflection. Accentuation. Tempo. Rhythmic alteration. Ornamentation. Extempore embellishment. Improvisation. Continuo accompaniment
  • Conditions and practices. Introduction. Pitch. Temperament. Vocal practices. Venues and programmes. Orchestral constitution and placement. Direction. Nineteenth-century changes
  • Case studies in ensemble music. J.S. Bach : St Matthew Passion BWV 244. W.A. Mozart : Serenade for 13 instruments K361. Berlioz : Episode de la vie d'un Artiste, Symphonie Fantastique en cinq parties Op. 14. Brahms : Symphony No. 2 in D major Op. 73
  • The continuing debate. Introduction. The social position of historical music. A snapshot from 1983. Authenticity and Early Music. The 1990s. The future?

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