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Author's pen and actor's voice : playing and writing in Shakespeare's theatre /
Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
2000.
|
| Colección: | Cambridge studies in Renaissance literature and culture ;
39. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Weimann, Robert. | |
| 245 | 1 | 0 | |a Author's pen and actor's voice : |b playing and writing in Shakespeare's theatre / |c Robert Weimann ; edited by Helen Higbee and William West. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2000. | ||
| 300 | |a 1 online resource (xiii, 298 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Cambridge studies in Renaissance literature and culture ; |v 39 | |
| 504 | |a Includes bibliographical references (pages 269-288) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Introduction: conjunctures and concepts -- |t Performance and authority in Hamlet (1603) -- |t A new agenda for authority -- |t The "low and ignorant" crust of corruption -- |t Towards a circulation of authority in the theatre -- |t Players, printers, preachers: distraction in authority -- |t Pen and voice: versions of doubleness -- |t "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- |t Bifold authority in Troilus and Cressida -- |t "Unworthy scaffold" for "so great an object" (Henry V) -- |t Playing with a difference -- |t To "disfigure, or to present" (A Midsummer Night's Dream) -- |t To "descant" on difference and deformity (Richard III) -- |t The "self-resembled show" -- |t Presentation, or the performant function -- |t Histories in Elizabethan performance -- |t Disparity in mid-Elizabethan theatre history -- |t Reforming "a whole theatre of others" (Hamlet) -- |t From common player to excellent actor -- |t Differentiation, exclusion, withdrawal -- |t Hamlet and the purposes of playing -- |t Renaissance writing and common playing -- |t Unworthy antics in the glass of fashion -- |t "When in one line two crafts directly meet" -- |t (Word)play and the mirror of representation -- |t Space (in)dividable: locus and platea revisited -- |t Space as symbolic form: the locus -- |t The open space: provenance and function -- |t Locus and platea in Macbeth -- |t Banqueting in Timon of Athens -- |t Shakespeare's endings: commodious thresholds -- |t Epilogues vs. closure -- |t Ends of postponement: holiday into workaday -- |t Thresholds to memory and commodity -- |t Liminality: cultural authority 'betwixt-and-between'. |
| 520 | |a Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Knowledge |x Performing arts. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Dramatic production. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |0 (OCoLC)fst00029048 |
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| 650 | 0 | |a Theater in literature. | |
| 650 | 0 | |a Acting in literature. | |
| 650 | 0 | |a Drama |x Technique. | |
| 650 | 6 | |a Théâtre dans la littérature. | |
| 650 | 6 | |a Art dramatique dans la littérature. | |
| 650 | 6 | |a Théâtre (Genre littéraire) |x Technique. | |
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| 650 | 7 | |a DRAMA |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a Acting in literature. |2 fast |0 (OCoLC)fst00796171 | |
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| 650 | 7 | |a Theater. |2 fast |0 (OCoLC)fst01149217 | |
| 650 | 7 | |a Theater in literature. |2 fast |0 (OCoLC)fst01149340 | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Higbee, Helen. | |
| 700 | 1 | |a West, William. | |
| 776 | 0 | 8 | |i Print version: |a Weimann, Robert. |t Author's pen and actor's voice. |d Cambridge ; New York : Cambridge University Press, 2000 |z 0521781302 |w (DLC) 99087468 |w (OCoLC)43109884 |
| 830 | 0 | |a Cambridge studies in Renaissance literature and culture ; |v 39. | |
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