Temples for tomorrow : looking back at the Harlem Renaissance /

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The Harlem Renaissance is rightly considered a moment of creative exuberance and unprecedented explosion in the African American world of arts and letters. Today, there is a renewed interest in this movement, calling for a reevaluation and a closer scrutiny of the participants. Temples for Tomorrow...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Fabre, Geneviève, Feith, Michel, 1966-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, ©2001.
Temas:
1900-1999
American literature > African American authors > History and criticism.
American literature > New York (State) > New York > History and criticism.
African Americans > New York (State) > New York > Intellectual life.
American literature > 20th century > History and criticism.
African American arts > New York (State) > New York.
African Americans in literature.
Harlem Renaissance.
Littérature américaine > Auteurs noirs américains > Histoire et critique.
Littérature américaine > New York (État) > New York > Histoire et critique.
Noirs américains > New York (État) > New York > Vie intellectuelle.
Littérature américaine > 20e siècle > Histoire et critique.
Arts noirs américains > New York (État) > New York.
Noirs américains dans la littérature.
LITERARY CRITICISM > American > General.
African American arts
African Americans in literature
African Americans > Intellectual life
American literature
American literature > African American authors
Harlem Renaissance
Harlem renaissance
Aufsatzsammlung
New York (State) > New York
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • "Temples for tomorrow": introductory essay / Geneviv̈e Fabre and Michel Feith
  • Racial doubt and racial shame in the Harlem Renaissance / Arnold Rampersad
  • The syncopated African: constructions of origins in the Harlem Renaissance (literature, music, visual arts) / Michel Feith
  • Oh Africa! The influence of African art during the Harlem Renaissance / Amy H. Kirschke
  • Florence B. Price's "Negro symphony" / Rae Linda Brown
  • Ethel Waters: the voice of an era / Randall Cherry
  • Oscar Micheaux and the Harlem Renaissance / Clyde Taylor
  • The tragedy and the joke: James Weldon Johnson's The Autobiography of an Ex-Coloured Man / Alessandro Portelli
  • "The spell of Africa is upon me": W.E.B. DuBois's notion of art as propaganda / Alessandra Lorini
  • Subject to disappearance: interracial identity in Nella Larsen's Quicksand / George Hutchinson
  • No free gifts: Toomer's "Fern" and the Harlem Renaissance / William Boelhower
  • Harlem as a memory place: reconstructing the Harlem Renaissance in space / Dorothea Lb̲bermann
  • "A basin in the mind": language in Their Eyes Were Watching God / Claudine Raynaud
  • Langston Hughes's blues / Monica Michlin
  • The tropics in New York: Claude McKay and the new Negro movement / Carl Pedersen
  • The West Indian presence in Alain Locke's The New Negro (1925) / Franȯise Charras
  • Three ways to translate the Harlem Renaissance / Brent Hayes Edwards
  • The Harlem Renaissance abroad: French critics and the new Negro literary movement (1924-1964) / Michel Fabre.

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