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|a Cubitt, Sean,
|d 1953-
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|a Digital aesthetics /
|c Sean Cubitt.
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260 |
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|a London ;
|a Thousand Oaks, Calif. :
|b SAGE,
|c 1998.
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300 |
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|a 1 online resource (xiii, 172 pages).
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|a text
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|a computer
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|a online resource
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490 |
1 |
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|a Theory, culture & society (Unnumbered
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|a Includes bibliographical references (pages 152-166) and index.
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520 |
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|a This work traces the globalisation of the digital medium, and enquires into its effects on subjectivity and sociality. The author argues for a democracy beyond the free market and the global corporation.
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506 |
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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533 |
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
|
538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
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|a digitized
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|a Print version record.
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|a Cover; Contents; Preface: The Universal Touring Machine; Acknowledgements; Chapter 1 -- Reading the Interface; Cybercafé; Hypertext and the Colonial Dialectic; A Good Read; The Library; Browsing and Netsurfing: Playful Reading; After Privacy: The Politics of Intimacy; Writing Materials; Chapter 2 -- Virtual Realism: Machine Perception and the Global Image; Travelling Light; Critique of Cyborg Vision; The Anarchy and Society of Perceptions; Visual Rhetoric: The Socialisation of Perception; Remote Sensing: Global Images; Deconstructing the Map; The Ethics of Utopia; Chapter 3 -- Spatial Effects
|
505 |
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|a The Trouble with HubbleZeno's Paradox: Interminable Identities; From Orient to Outer Space: Cosmic Commodities; Perspective as Special Effect; From Outer Space to Cyberspace; Hacker Transvestism and the Tourist Mouse; Chapter 4 -- Pygmalion: Silence, Sound and Space; Silence; Pure Hearing; Recording: The Mobilisation of Sound; Transmission: Silent Listening, Silent Reading; The Incoherence of the Soundtrack; Dispersed Spaces: Art Geography; Chapter 5 -- Turbulence: Network Morphology and the Corporate Cyborg; Network Subjectivity and the Secret Honour of the Posts; A Brief History of Flow
|
505 |
8 |
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|a The Human BiochipJunk DNA: Morphologies of Multimedia; Anonymous History: Globalisation and Diaspora; References; Index
|
590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
|
650 |
|
0 |
|a Computers and civilization.
|
650 |
|
0 |
|a Human-computer interaction.
|
650 |
|
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|a Ordinateurs et civilisation.
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|
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|a COMPUTERS
|x Social Aspects
|x General.
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|a Computers and civilization
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|a Human-computer interaction
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|a Computers.
|2 gtt
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1 |
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|a Dagelijks leven.
|2 gtt
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1 |
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|a Cultuurverandering.
|2 gtt
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|a Sociale verandering.
|2 gtt
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|a Beeldcommunicatie.
|2 gtt
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|a Culturele aspecten.
|2 gtt
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|i Print version:
|a Cubitt, Sean, 1953-
|t Digital aesthetics.
|d London ; Thousand Oaks, Calif. : SAGE, 1998
|z 0761958991
|w (DLC) 98061161
|w (OCoLC)40335449
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