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Mozart, the 'Haydn' quartets /
The six string quartets dedicated to his friend Joseph Haydn represent a turning point in Mozart's compositional development. In addition to providing a full synopsis of each quartet this book examines the music in relation to Mozart's earlier quartets, considers the genesis of the six �...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
©1998.
|
| Colección: | Cambridge music handbooks.
|
| Temas: |
Mozart, Wolfgang Amadeus
> 1756-1791
> Quartette
> Violine (2)
> Viola
> Violoncello
> KV 387
> G-Dur
Mozart, Wolfgang Amadeus
> 1756-1791
> Quartette
> Violine (2)
> Viola
> Violoncello
> KV 421
> d-Moll
Mozart, Wolfgang Amadeus
> 1756-1791
> Quartette
> Violine (2)
> Viola
> Violoncello
> KV 428
> Es-Dur
Mozart, Wolfgang Amadeus
> 1756-1791
> Quartette
> Violine (2)
> Viola
> Violoncello
> KV 458
> B-Dur
Mozart, Wolfgang Amadeus
> 1756-1791
> Quartette
> Violine (2)
> Viola
> Violoncello
> KV 464
> A-Dur
Mozart, Wolfgang Amadeus
> 1756-1791
> Quartette
> Violine (2)
> Viola
> Violoncello
> KV 465
> C-Dur
|
| Acceso en línea: | Texto completo |
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| 245 | 1 | 0 | |a Mozart, the 'Haydn' quartets / |c John Irving. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c ©1998. | ||
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| 504 | |a Includes bibliographical references (pages 99-103) and index. | ||
| 505 | 0 | |a Mozart's early quartets -- Genesis of the 'Haydn' quartets -- Steps to publication -- The individual quartets: a synopsis -- Some theoretical perspectives -- Reception of the 'Haydn' quartets. | |
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| 520 | |a The six string quartets dedicated to his friend Joseph Haydn represent a turning point in Mozart's compositional development. In addition to providing a full synopsis of each quartet this book examines the music in relation to Mozart's earlier quartets, considers the genesis of the six 'Haydn' quartets through close examination of the autograph revisions and looks at contemporary eighteenth-century analytical models. John Irving also charts the reception of the quartets, drawing upon a broad range of sources: Mozart's letters and diary entries, early newspaper reports, harmony/compositional textbooks, contemporary criticism and early biographies. | ||
| 546 | |a English. | ||
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