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The homoerotics of early modern drama /

This book is the first comprehensive account of homoeroticism in Renaissance drama. Mario DiGangi analyses the relation between homoeroticism and social power in a wide range of literary and historical texts from the 1580s to the 1620s, drawing on the insights of materialist, feminist and queer theo...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: DiGangi, Mario
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge ; New York : Cambridge University Press, 1997.
Colección:Cambridge studies in Renaissance literature and culture ; 21.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The homoerotics of early modern drama /  |c Mario DiGangi. 
260 |a Cambridge ;  |a New York :  |b Cambridge University Press,  |c 1997. 
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490 1 |a Cambridge studies in Renaissance literature and culture ;  |v 21 
500 |a Based on the author's thesis (Ph. D.)--Columbia University. 
504 |a Includes bibliographical references (pages 195-208) and index. 
588 0 |a Print version record. 
505 0 |a 1. Introduction -- 2. The homoerotics of marriage in Ovidian comedy -- 3. The homoerotics of mastery in satiric comedy -- 4. The homoerotics of favoritism in tragedy -- 5. The homoerotics of masculinity in tragicomedy. 
520 |a This book is the first comprehensive account of homoeroticism in Renaissance drama. Mario DiGangi analyses the relation between homoeroticism and social power in a wide range of literary and historical texts from the 1580s to the 1620s, drawing on the insights of materialist, feminist and queer theory. Each chapter focuses on the homoerotics of a major dramatic genre (Ovidian comedy, satiric comedy, tragedy and tragicomedy) and studies the ideologies and institutions it characteristically explores. DiGangi examines distinctions between orderly and disorderly forms of homoerotic practice in both canonical and unfamiliar texts. In these readings, the various proliferating forms of homoeroticism are indentified in relation to sodomy, against which there were cultural and legal prohibitions in the period. DiGangi's study illuminates, through a diverse range of plays, the centrality of homoerotic practices to household, court and city life in early modern England. 
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650 0 |a Politics and literature  |z England  |x History. 
650 0 |a Literature and society  |z England  |x History. 
650 0 |a Eroticism in literature. 
650 0 |a Sodomy in literature. 
650 0 |a Renaissance  |z England. 
650 0 |a Order in literature. 
650 0 |a Sex in literature. 
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650 6 |a Théâtre anglais  |y 17e siècle  |x Histoire et critique. 
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650 6 |a Érotisme dans la littérature. 
650 6 |a Sodomie dans la littérature. 
650 6 |a Renaissance  |z Angleterre. 
650 6 |a Ordre dans la littérature. 
650 6 |a Sexualité dans la littérature. 
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776 0 8 |i Print version:  |a DiGangi, Mario.  |t Homoerotics of early modern drama.  |d Cambridge ; New York : Cambridge University Press, 1997  |z 0521583411  |w (DLC) 96037398  |w (OCoLC)36017007 
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