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Music and the origins of language : theories from the French Enlightenment /
The search for the origins of language was one of the most pressing philosophical issues of the eighteenth century. What has often escaped notice, however, is the fact that music figures prominently in this search. This study analyses instances of thinking or reasoning about music and music theory a...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
1995.
|
| Colección: | New perspectives in music history and criticism.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Thomas, Downing A. | |
| 245 | 1 | 0 | |a Music and the origins of language : |b theories from the French Enlightenment / |c Downing A. Thomas. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 1995. | ||
| 300 | |a 1 online resource (xi, 195 pages) | ||
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| 490 | 1 | |a New perspectives in music history and criticism | |
| 504 | |a Includes bibliographical references (pages 177-185) and index. | ||
| 505 | 0 | |a Introduction -- Music and language -- Origins -- Music theory and the genealogy of knowledge in Condillac's Essai sur l'origine des connaissances humaines -- Music and original loss in Rousseau's Essai sur l'origine des langues -- Sensible sounds: music and theories of the passions -- Conclusion. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a The search for the origins of language was one of the most pressing philosophical issues of the eighteenth century. What has often escaped notice, however, is the fact that music figures prominently in this search. This study analyses instances of thinking or reasoning about music and music theory as they appear within the logical and narrative structure of contemporary texts, including writings by Rousseau, Diderot, Rameau and Condillac. These can only be properly understood as part of an interdisciplinary project, as situated within a field of larger cultural issues and concerns. The author is interested in the ways in which music functions within this discursive framework to facilitate links between language and meaning, and between conceptions of an original society and an ideal social order. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Language and languages |x Origin. | |
| 650 | 0 | |a Music and language. | |
| 651 | 0 | |a France |x Intellectual life |y 18th century. | |
| 650 | 6 | |a Langage et langues |x Origines. | |
| 650 | 6 | |a Musique et langage. | |
| 651 | 6 | |a France |x Vie intellectuelle |y 18e siècle. | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x General. |2 bisacsh | |
| 650 | 7 | |a Intellectual life |2 fast | |
| 650 | 7 | |a Language and languages |x Origin |2 fast | |
| 650 | 7 | |a Music and language |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Thomas, Downing A. |t Music and the origins of language. |d Cambridge ; New York : Cambridge University Press, 1995 |z 0521473071 |w (DLC) 94029938 |w (OCoLC)30892963 |
| 830 | 0 | |a New perspectives in music history and criticism. | |
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