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Image and imperialism in the Ottoman revolutionary press, 1908-1911 /

"Palmira Brummett provides a new vision, through the prism of 100 cartoons, of the confrontation between tradition and modernity, "Orient" and "Occident," and rhetoric and reality. Taking a unique period in modern Middle Eastern history, the Ottoman Constitutional Revolution...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Brummett, Palmira Johnson, 1950- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Albany, N.Y. : State University of New York Press, ©2000.
Colección:SUNY series in the social and economic history of the Middle East.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Brummett, Palmira Johnson,  |d 1950-  |e author. 
245 1 0 |a Image and imperialism in the Ottoman revolutionary press, 1908-1911 /  |c Palmira Brummett. 
264 1 |a Albany, N.Y. :  |b State University of New York Press,  |c ©2000. 
300 |a 1 online resource (xix, 470 pages) :  |b illustrations 
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490 1 |a SUNY series in the social and economic history of the Middle East 
504 |a Includes bibliographical references (pages 439-459) and index. 
520 1 |a "Palmira Brummett provides a new vision, through the prism of 100 cartoons, of the confrontation between tradition and modernity, "Orient" and "Occident," and rhetoric and reality. Taking a unique period in modern Middle Eastern history, the Ottoman Constitutional Revolution of 1908, Brummett examines the Istanbul satirical press and weaves the narrative and images of political, economic, and cultural transformation to create a new vision of the Middle East at the end of the empire. This work of cultural history is drawn against the backgrounds of Ottoman-European relations and press history. It shows how Ottoman cartoonists merged the literary and artistic cultures of East and West through comparisons to the press production and art of Europe, India, Latin America, and the Middle East. In doing so, it intersects with the broader set of studies in European history, the implications of modernity, and the rhetorical use of images."--Jacket 
505 0 0 |t Publishing, format, images, and readers --  |t The voice and image of the public, and its targets --  |t Revolutionary exemplars: France and Iran --  |t The comic sovereign: the satirical critique of authority --  |t The comic aggressor: the critique of European political and economic hegemony --  |t The comic culture: the critique of society, culture, and European influence --  |t Fashion satire and the honor of the nation --  |t Dogs, crime, women, cholera, and other menaces in the streets --  |t Technology, transport, and the "modern" street --  |t Conclusion: revolutionary options, satiric imagery, and the historiographic frame. 
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650 0 |a Turkish newspapers  |x History  |y 20th century. 
650 0 |a Caricatures and cartoons  |z Turkey  |x History  |y 20th century. 
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650 7 |a Caricatures and cartoons.  |2 fast  |0 (OCoLC)fst00847532 
650 7 |a Turkish newspapers.  |2 fast  |0 (OCoLC)fst01159496 
651 7 |a Turkey.  |2 fast  |0 (OCoLC)fst01208963 
648 7 |a 1900-1999  |2 fast 
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