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|a Marks, Martin Miller.
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|a Music and the silent film :
|b contexts and case studies, 1895-1924 /
|c Martin Miller Marks.
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|a New York :
|b Oxford University Press,
|c 1997.
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300 |
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|a 1 online resource (xvi, 303 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a Revision of the author's thesis (doctoral)--Harvard University, 1990.
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|a Includes bibliographical references (pages 221-294) and index.
|
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0 |
0 |
|g 1
|t Film and Music: An Introduction to Research
|g 3 --
|g 2
|t First Stages, Dimly Lit: Sources and Scores Prior to 1910
|g 26 --
|g 3
|t Film Scores in America, 1910-14
|g 62 --
|g 4
|t Breil's Score for The Birth of a Nation
|g 109 --
|g 5
|t Erik Satie's Score for Entr'acte
|g 167.
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0 |
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|a Print version record.
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|a Most people's view of silent film music is of a pianist playing old scores while watching the flickering screen. This title shows that there was much more to silent films and that often it was planned from the start as an integral part of the film. The author argues that film scores are a major and vibrant part of 20th century music.
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|a Silent film music
|x History and criticism.
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650 |
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|a Film muet, Musique de
|x Histoire et critique.
|
650 |
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|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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|a Silent film music
|2 fast
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|a Filmmuziek.
|0 (NL-LeOCL)078505755
|2 gtt
|
650 |
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|a Stomme films.
|2 gtt
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|a Electronic book.
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a Marks, Martin Miller.
|t Music and the silent film.
|d New York : Oxford University Press, 1997
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