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Historiography and ideology in Stuart drama /

This study explores the Stuart history play, a genre often viewed as an inferior or degenerate version of the exemplary Elizabethan dramatic form. Writing in the shadow of Marlowe and Shakespeare, Stuart playwrights have traditionally been evaluated through the aesthetic assumptions and political co...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kamps, Ivo
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge ; New York : Cambridge University Press, 1996.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Historiography and ideology in Stuart drama /  |c Ivo Kamps. 
260 |a Cambridge ;  |a New York :  |b Cambridge University Press,  |c 1996. 
300 |a 1 online resource (xiv, 255 pages) 
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504 |a Includes bibliographical references (pages 238-250) and index. 
588 0 |a Print version record. 
505 0 |a 1. Renaissance historiography -- 2. Historiography and Tudor historical drama: the example of Bale's King Johan -- 3. Thomas Heywood and the Princess Elizabeth: disrupting diachronic history -- 4. Shakespeare, Fletcher, and the question of history -- 5. "No meete matters to be wrytten or treated vpon": The Tragedy of Sir John Van Olden Barnavelt -- 6. Perkin Warbeck and the failure of historiography. 
520 |a This study explores the Stuart history play, a genre often viewed as an inferior or degenerate version of the exemplary Elizabethan dramatic form. Writing in the shadow of Marlowe and Shakespeare, Stuart playwrights have traditionally been evaluated through the aesthetic assumptions and political concerns of the sixteenth century. Ivo Kamps's study traces the development of Jacobite drama in the radically changed literary and political environment of the seventeenth century. He shows how historiographical developments in this period materially affected the structure of the history play. As audiences became increasingly sceptical of the comparatively simple teleological narratives of the Tudor era, a demand for new ways of staging history emerged. Kamps demonstrates how Stuart drama capitalised on this new awareness of historical narrative to undermine inherited forms of literary and political authority. This book is the first sustained attempt to account for a neglected genre, and a sophisticated reading of the relationship between literature, history and political power. 
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650 0 |a English drama  |y 17th century  |x History and criticism. 
650 0 |a Literature and history  |z Great Britain  |x History  |y 17th century. 
650 0 |a Politics and literature  |z Great Britain  |x History  |y 17th century. 
650 0 |a Historiography  |z Great Britain  |x History  |y 17th century. 
650 0 |a Historical drama, English  |x History and criticism. 
650 0 |a Political plays, English  |x History and criticism. 
651 0 |a Great Britain  |x Politics and government  |y 1603-1714. 
651 0 |a Great Britain  |x Historiography. 
650 6 |a Théâtre anglais  |y 17e siècle  |x Histoire et critique. 
650 6 |a Littérature et histoire  |z Grande-Bretagne  |x Histoire  |y 17e siècle. 
650 6 |a Politique et littérature  |z Grande-Bretagne  |x Histoire  |y 17e siècle. 
650 6 |a Théâtre historique anglais  |x Histoire et critique. 
650 6 |a Théâtre politique anglais  |x Histoire et critique. 
651 6 |a Grande-Bretagne  |x Politique et gouvernement  |y 1603-1714. 
650 6 |a Historiographie  |z Grande-Bretagne  |x Histoire  |y 17e siècle. 
650 7 |a DRAMA  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 7 |a English drama  |2 fast 
650 7 |a Historical drama, English  |2 fast 
650 7 |a Historiography  |2 fast 
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650 7 |a Politics and government  |2 fast 
650 7 |a Politics and literature  |2 fast 
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