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Making love modern : the intimate public worlds of New York's literary women /
In the teens and twenties, New York was home to a rich variety of literary subcultures. Within these intermingled worlds, gender lines and other boundaries were crossed in ways hardly imaginable in previous decades. Among the bohemians of Greenwich Village, the sophisticates of the Algonquin Round T...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Oxford University Press,
1999.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Miller, Nina, |d 1958- | |
| 245 | 1 | 0 | |a Making love modern : |b the intimate public worlds of New York's literary women / |c Nina Miller. |
| 260 | |a New York : |b Oxford University Press, |c 1999. | ||
| 300 | |a 1 online resource (ix, 292 pages) | ||
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| 504 | |a Includes bibliographical references (pages 247-284) and index. | ||
| 505 | 0 | |a Edna St. Vincent Millay -- Love in Greenwich Village: Genevieve Taggard and the Bohemian ideal -- Aestheticized love and sexual violence -- The Algonquin round table and the politics of sophistication -- "Oh, do sit down, I've got so much to tell you!": Dorothy Parker and her intimate public -- "The new (and newer) Negro(es)": generational conflict in the Harlem Renaissance -- "Exalting Negro womanhood": performance and cultural responsibility for the middle-class heroine -- "Our younger Negro (women) artists": Gwendolyn Bennett and Helene Johnson. | |
| 520 | |a In the teens and twenties, New York was home to a rich variety of literary subcultures. Within these intermingled worlds, gender lines and other boundaries were crossed in ways hardly imaginable in previous decades. Among the bohemians of Greenwich Village, the sophisticates of the Algonquin Round Table and the literati of the Harlem Renaissance, certain women found fresh, powerful voices through which to speak and write. Edna St. Vincent Millay and Dorothy Parker are now best remembered for their colourful lives; Genevieve Taggard, Gwendolyn Bennett, and Helene Johnson are hardly remembered at all. Yet each made a serious literary contribution to the meaning of modern femininity, relationship, and selfhood. Making Love Modern uncovers the deep historical sensitivity and interest of these women's love poetry. Placing their work in the context of subcultures nested within national culture, Nina Miller explores the tensions that make this literature so rewarding for contemporary readers. A poetry of intimate expression, it also functioned powerfully as public assertion.; The writers themselves were high-profile embodiments of femininity, the local representatives of New Womanhood within their male-centred subcultural worlds. Making Love Modern captures the literary lives of these women as well as the complex subcultures they inhabited-Harlem, the Village, and glamorous Midtown. In the end, the book is a much a study of modernist New York as of women's love poetry during modernism. | ||
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