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Ancient Greek music /

Ancient Greece was permeated by music, and the literature teems with musical allusions. For most readers the subject has remained a closed book. Here at last is a clear, comprehensive, and authoritative account that presupposes no special knowledge of music. Topics covered include the place of music...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: West, M. L. (Martin Litchfield), 1937-2015
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oxford [England] : New York : Clarendon Press ; Oxford University Press, 1992.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a West, M. L.  |q (Martin Litchfield),  |d 1937-2015. 
245 1 0 |a Ancient Greek music /  |c M.L. West. 
260 |a Oxford [England] :  |b Clarendon Press ;  |a New York :  |b Oxford University Press,  |c 1992. 
300 |a 1 online resource (xiii, 409 pages) :  |b illustrations 
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504 |a Includes bibliographical references and index. 
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505 0 |a 1. Music in Greek Life -- 2. The Voice -- 3. Stringed Instruments -- 4. Wind and Percussion -- 5. Rhythm and Tempo -- 6. Scales and Modes -- 7. Melody and Form -- 8. Theory -- 9. Notation and Pitch -- 10. The Musical Documents -- 11. Historical Synthesis: 1. Sunrise and Forenoon -- 12. Historical Synthesis: 2. High Noon and Afternoon -- Epilogue: Greece between Europe and Asia. 
520 |a Ancient Greece was permeated by music, and the literature teems with musical allusions. For most readers the subject has remained a closed book. Here at last is a clear, comprehensive, and authoritative account that presupposes no special knowledge of music. Topics covered include the place of music in Greek life; instruments; rhythm; tempo; modes and scales; melodic construction; form; ancient theory and notation; and historical development. Thirty surviving examples of Greek music are presented in modern transcription with analysis, and the book is fully illustrated with plates and diagrams. Besides being considered on its own terms, Greek music is here further illuminated by being seen in ethnological perspective, and a brief Epilogue sets it in its place in a border zone between Afro-Asiatic and European culture. The book will be of value both to classicists and historians of music. 
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