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|a UAMI
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|a Jones, G. William
|q (George William),
|d 1931-
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|a Black cinema treasures :
|b lost and found /
|c G. William Jones ; foreword by Ossie Davis.
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|a Denton, Tex. :
|b University of North Texas Press,
|c ©1991.
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|a 1 online resource (242 pages) :
|b illustrations
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|a text
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|a online resource
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|a Filmography: pages 191-232.
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|a Includes bibliographical references (pages 233-234) and index.
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|5 MiAaHDL
|2 star
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|a Electronic reproduction.
|b [S.l.] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
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|a Foreword / by Ossie Davis -- Introduction: King Tut's Warehouse: Finding the Films -- The Non-White World of All-Black Cinema -- Some Pioneer Black Filmmakers: Oscar Micheaux: the Dean of Black Filmmakers -- Spencer Williams -- William Alexander -- George Randol -- The Tyler, Texas, Black Film Collection: The Blood of Jesus -- Dirty Gertie from Harlem, U.S.A. -- The Girl in Room 20 -- Juke Joint -- Marching On -- Midnight Shadow -- Miracle in Harlem -- Murder in Harlem (Lem Hawkins' Confession) -- Souls of Sin -- By-Line Newsreels (Four Episodes) -- Other Short Films in the Collection: Broken Earth -- Boogie Woogie Blues -- Daughters of the Isle of Jamaica -- Harlem Hot-Shots -- Junior Jeeps -- Vanities -- Comments from Some of Today's Black Filmmakers: How the Films Were Produced, Distributed, Exhibited -- and What Became of the System -- What Black Independent Films Meant to the Black Community -- Working With Spencer Williams -- A Final Comment: "We Could Have Been Friends."
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|a English.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Tyler, Texas, Black Film Collection
|v Catalogs.
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|a Southern Methodist University.
|b Southwest Film/Video Archives
|v Catalogs.
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|a Tyler, Texas, Black Film Collection.
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|a Southern Methodist University.
|b Southwest Film/Video Archives.
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|a Southern Methodist University.
|b Southwest Film/Video Archives
|x Catalogues.
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|a Southern Methodist University.
|b Southwest Film/Video Archives
|2 fast
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|a Tyler, Texas, Black Film Collection
|2 fast
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|a African Americans in motion pictures.
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|a African Americans in motion pictures
|v Catalogs.
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|a African Americans in the motion picture industry.
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|a African Americans in the motion picture industry
|z United States.
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|a Noirs américains au cinéma.
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|a Noirs américains au cinéma
|x Catalogues.
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|a Noirs américains dans l'industrie cinématographique
|z États-Unis.
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|a Noirs américains au cinéma
|v Catalogues.
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|a Noirs américains dans l'industrie cinématographique.
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|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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|a African Americans in motion pictures
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|a African Americans in the motion picture industry
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|a United States
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|a Films.
|2 gtt
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|a Music, Dance, Drama & Film.
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|i Print version:
|a Jones, G. William (George William), 1931-
|t Black cinema treasures.
|d Denton, Tex. : University of North Texas Press, ©1991
|z 0929398262
|w (DLC) 91010882
|w (OCoLC)23356012
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