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Performing pedagogy : toward an art of politics /

"Performing Pedagogy examines the theory and practice of performance art as an art of politics. It discusses the different ways in which performance artists use memory and cultural history to critique dominant cultural assumptions, to construct identity, and to attain political agency. In doing...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Garoian, Charles R., 1943- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Albany, N.Y. : State University of New York Press, 1999.
Colección:SUNY series, interruptions--border testimony(ies) and critical discourse/s.
SUNY series, innovations in curriculum.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Garoian, Charles R.,  |d 1943-  |e author. 
245 1 0 |a Performing pedagogy :  |b toward an art of politics /  |c Charles R. Garoian. 
260 |a Albany, N.Y. :  |b State University of New York Press,  |c 1999. 
300 |a 1 online resource (xii, 248 pages) :  |b illustrations. 
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490 1 |a SUNY series, interruptions -- border testimony(ies) and critical discourse/s 
490 1 |a SUNY series, innovations in curriculum 
504 |a Includes bibliographical references and index. 
505 0 0 |t Performance Art: Repositioning the Body in Postmodern Art Education --  |t The Emancipatory Pedagogy of Performance Art --  |t Goat Island: Spectacle as Performance Art Pedagogy --  |t Robbie McCauley's Talk-About Pedagogy --  |t Understanding Performance Art as Curriculum Text: The Community-based Pedagogy of Suzanne Lacy --  |t Constructing Identity: An Autobiographical Case Study of Performance Art --  |t Constructing a Performance Art Pedagogy. 
588 0 |a Print version record. 
520 8 |a "Performing Pedagogy examines the theory and practice of performance art as an art of politics. It discusses the different ways in which performance artists use memory and cultural history to critique dominant cultural assumptions, to construct identity, and to attain political agency. In doing so, Garoian argues, performance artists like Rachel Rosenthal, Guillermo Gomez-Pena, Robbie McCauley, Suzanne Lacy, and the performance art collective Goat Island engage in the practice of critical citizenship and radical forms of democracy that have significant implications for teaching in the schools. Finally, Garoian contextualizes performance art pedagogy within his own cultural work to illustrate how his own memory and cultural history have informed his production of performance art works and his classroom teaching practices."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. 
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650 0 |a Performance art  |z United States. 
650 0 |a Artists  |z United States  |x Psychology. 
650 0 |a Arts  |x Study and teaching  |x Methodology. 
650 0 |a Communication in education  |z United States. 
650 6 |a Art de performance  |z États-Unis. 
650 6 |a Artistes  |z États-Unis  |x Psychologie. 
650 6 |a Arts  |x Étude et enseignement  |x Méthodologie. 
650 6 |a Communication en éducation  |z États-Unis. 
650 7 |a EDUCATION  |x Philosophy & Social Aspects.  |2 bisacsh 
650 7 |a Artists  |x Psychology  |2 fast 
650 7 |a Communication in education  |2 fast 
650 7 |a Performance art  |2 fast 
651 7 |a United States  |2 fast 
776 0 8 |i Print version:  |a Garoian, Charles R., 1943-  |t Performing pedagogy.  |d Albany, N.Y. : State University of New York Press, 1999  |z 079144323X  |w (DLC) 98054276  |w (OCoLC)40473822 
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830 0 |a SUNY series, innovations in curriculum. 
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