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The senses of nonsense /

"Joyce, Stein, Stevens, and Zukofsky might easily be considered the most intractable and obscure of our Modernist writers; they are widely recognized (if not widely lauded) for their startling disruptions of grammar, syntax, semantic coherence - in short, all the conventional sense-making funct...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Rieke, Alison
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Iowa City, IA : University of Iowa Press, ©1992.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Rieke, Alison. 
245 1 4 |a The senses of nonsense /  |c by Alison Rieke. 
260 |a Iowa City, IA :  |b University of Iowa Press,  |c ©1992. 
300 |a 1 online resource (x, 283 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references (pages 263-275) and index. 
505 0 |a 1. Secret sense, coherent nonsense -- 2. James Joyce : double-crossing sinse [sic] -- 3. Gertrude Stein : mastering pieces -- 4. Wallace Stevens : as if in a book -- 5. Louis Zukofsky : Z-sited harmonies -- 6. Conclusion : postreintroducing. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
520 1 |a "Joyce, Stein, Stevens, and Zukofsky might easily be considered the most intractable and obscure of our Modernist writers; they are widely recognized (if not widely lauded) for their startling disruptions of grammar, syntax, semantic coherence - in short, all the conventional sense-making functions of language. In this absorbing, perceptive study Alison Rieke addresses the problem of defining and characterizing the experimental uses of language that emerge out of this shared tradition of literary nonsense and enigmatic writing." "Here the difficult linguistic ventures of the four are examined, compared, and contrasted, from Joyce's daring monument to comic nonsense, Finnegans Wake, and Stein's secretive autobiography, Stanzas in Meditation, to Stevens' enigmatic poems in quest of the "supreme fiction" and Zukofsky's radically experimental long poem, "A." Rieke shows how "nonsense" usefully accounts for the various disruptions upon which many of their most impenetrable writings depend and how each author's motives of disruption are bound up with motives of secrecy, how each hides sense in riddle and enigma, wordplay, and verbal sleight of hand. Throughout, Rieke offers detailed treatment of each individual author, making clear distinctions among them through close textual analysis." "Ultimately Rieke adroitly illustrates that these authors' experimental disruptions tend less toward denying the sensible than toward accepting and absorbing it as a tool advantageously manipulated, inverted, and twisted in the production of an enigmatic art. Students of Modernism, readers of Joyce, Stein, Stevens, and Zukofsky, and all those interested in wordplay and semantics will want to read this book."--Jacket 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
538 |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.  |u http://purl.oclc.org/DLF/benchrepro0212  |5 MiAaHDL 
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546 |a English. 
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600 1 0 |a Zukofsky, Louis,  |d 1904-1978  |x Technique. 
600 1 0 |a Stevens, Wallace,  |d 1879-1955  |x Technique. 
600 1 0 |a Stein, Gertrude,  |d 1874-1946  |x Technique. 
600 1 0 |a Joyce, James,  |d 1882-1941  |x Technique. 
600 1 7 |a Joyce, James,  |d 1882-1941  |2 fast 
600 1 7 |a Stein, Gertrude,  |d 1874-1946  |2 fast 
600 1 7 |a Stevens, Wallace,  |d 1879-1955  |2 fast 
600 1 7 |a Zukofsky, Louis,  |d 1904-1978  |2 fast 
600 1 7 |a Zukofsky, Louis.  |2 swd 
600 1 7 |a Stevens, Wallace.  |2 swd 
600 1 7 |a Stein, Gertrude.  |2 swd 
600 1 7 |a Joyce, James.  |2 swd 
650 0 |a American literature  |y 20th century  |x History and criticism. 
650 0 |a Modernism (Literature) 
650 0 |a Literature, Experimental  |x History and criticism. 
650 0 |a Nonsense literature  |x History and criticism. 
650 6 |a Littérature américaine  |y 20e siècle  |x Histoire et critique. 
650 6 |a Modernisme (Littérature) 
650 6 |a Littérature expérimentale  |x Histoire et critique. 
650 6 |a Littérature nonsensique  |x Histoire et critique. 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 7 |a American literature  |2 fast 
650 7 |a Literature, Experimental  |2 fast 
650 7 |a Modernism (Literature)  |2 fast 
650 7 |a Nonsense literature  |2 fast 
650 7 |a Technique  |2 fast 
650 7 |a Experimentelle Literatur  |2 gnd 
650 7 |a Sprache  |2 gnd 
650 1 7 |a Experimentele fictie.  |2 gtt 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Rieke, Alison.  |t Senses of nonsense.  |d Iowa City, IA : University of Iowa Press, ©1992  |z 0877453845  |w (DLC) 92010292  |w (OCoLC)25712005 
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