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The poetics of protest : literary form and political implication in the victim-of-society novel /
Goodin takes a formalistic approach to political expression in the victim-of-society novel, asking the question, how do the formal features of the novel constrain thematic expression? He notes that the writer must balance the protagonist's role as victim against the role as resilient human bein...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Carbondale :
Southern Illinois University Press,
©1985.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Goodin, George. | |
| 245 | 1 | 4 | |a The poetics of protest : |b literary form and political implication in the victim-of-society novel / |c George Goodin. |
| 260 | |a Carbondale : |b Southern Illinois University Press, |c ©1985. | ||
| 300 | |a 1 online resource (x, 219 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 199-213) and index. | ||
| 505 | 0 | |a Introduction: A problem in composition -- The innocent victim: Oliver Twist, Ivan Denisovich, The dollmaker -- The virtuous victim: Les misérables, Billy Budd, The power and the glory, Uncle Tom's cabin -- The flawed victim: An American tragedy, L'Assommoir, Native son, The red and the black -- The pseudo victim: Catch-22, Ivan Chonkin, One flew over the cuckoo's nest, Tobacco Road -- Permutations and combinations: Bleak House, Grapes of wrath, Fontamara, The fratricides -- Conclusion: Literary form and political implication. | |
| 520 | |a Goodin takes a formalistic approach to political expression in the victim-of-society novel, asking the question, how do the formal features of the novel constrain thematic expression? He notes that the writer must balance the protagonist's role as victim against the role as resilient human being capable of dealing with his or her problems. If the protagonist is too strong, both help and reform become unnecessary; if too weak, the situation becomes hopeless, thus limiting the power and appeal of the work as art and as political protest. Goodin offers a schema of different types of victims: the innocent, the virtuous, the flawed, and the pseudo, examining twenty different novels. He concludes by examining the options the writers have with respect to the character and fate of their protagonists. Hewing to a rather old-fashioned insistence on the interaction between the text and society, Goodin suggests that even though imperfect, these novels probably have decreased the amount of injustice in the real world. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Fiction |x History and criticism. | |
| 650 | 0 | |a Political fiction |x History and criticism. | |
| 650 | 0 | |a Politics and literature. | |
| 650 | 0 | |a Literature and society. | |
| 650 | 0 | |a Narration (Rhetoric) | |
| 650 | 0 | |a Victims in literature. | |
| 650 | 0 | |a Society in literature. | |
| 650 | 6 | |a Roman |x Histoire et critique. | |
| 650 | 6 | |a Politique et littérature. | |
| 650 | 6 | |a Littérature et société. | |
| 650 | 6 | |a Narration. | |
| 650 | 6 | |a Politique-fiction |x Histoire et critique. | |
| 650 | 6 | |a Victimes dans la littérature. | |
| 650 | 7 | |a TRAVEL |x Special Interest |x Literary. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x General. |2 bisacsh | |
| 650 | 7 | |a Society in literature. |2 fast |0 (OCoLC)fst01896128 | |
| 650 | 7 | |a Fiction. |2 fast |0 (OCoLC)fst00923709 | |
| 650 | 7 | |a Literature and society. |2 fast |0 (OCoLC)fst01000096 | |
| 650 | 7 | |a Narration (Rhetoric) |2 fast |0 (OCoLC)fst01032927 | |
| 650 | 7 | |a Political fiction. |2 fast |0 (OCoLC)fst01069297 | |
| 650 | 7 | |a Politics and literature. |2 fast |0 (OCoLC)fst01069960 | |
| 650 | 7 | |a Victims in literature. |2 fast |0 (OCoLC)fst01166284 | |
| 650 | 1 | 7 | |a Romans. |2 gtt |
| 650 | 1 | 7 | |a Sociaal protest. |2 gtt |
| 650 | 1 | 7 | |a Slachtoffers. |2 gtt |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Goodin, George. |t Poetics of protest. |d Carbondale : Southern Illinois University Press, ©1985 |z 0809311739 |w (DLC) 83027179 |w (OCoLC)10324905 |
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