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American superrealism : Nathanael West and the politics of representation in the 1930s /
"Nathanael West has been hailed as "an apocalyptic writer," "a writer on the left," and "a precursor to postmodernism." But until now no critic has succeeded in fully engaging West's distinctive method of negation. In American Superrealism, Jonathan Veitch exa...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Madison :
University of Wisconsin Press,
©1997.
|
| Colección: | Wisconsin project on American writers.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Veitch, Jonathan. | |
| 245 | 1 | 0 | |a American superrealism : |b Nathanael West and the politics of representation in the 1930s / |c Jonathan Veitch. |
| 260 | |a Madison : |b University of Wisconsin Press, |c ©1997. | ||
| 300 | |a 1 online resource (xx, 182 pages) : |b illustrations | ||
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| 490 | 1 | |a The Wisconsin project on American writers | |
| 504 | |a Includes bibliographical references (pages 139-174) and index. | ||
| 520 | 1 | |a "Nathanael West has been hailed as "an apocalyptic writer," "a writer on the left," and "a precursor to postmodernism." But until now no critic has succeeded in fully engaging West's distinctive method of negation. In American Superrealism, Jonathan Veitch examines West's letters, short stories, screenplays and novels - some of which are discussed here for the first time - as well as West's collaboration with William Carlos Williams during their tenure as the editors of Contact. Locating West in a lively, American avant-garde tradition that sketches from Marcel Duchamp to Andy Warhol, Veitch explores the possibilities and limitations of dada and surrealism - the use of readymades, scatological humor, human machines, "exquisite corpses"--As modes of social criticism."--Jacket | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Acknowledgments -- Preface -- Introduction: Who Can We Shoot? The Crisis of Representation in the 1930s -- PART I -- 1. American Superrealism -- 2. Euclid's Asshole: The Dream Life of Balsa Snell -- PART II -- 3. ""Lousy with Pure / Reeking with Stark"": Contact -- 4. The People Talk: Miss Lonelyhearts -- 5. The Folklore of Capitalism: A Cool Million -- 6. The Cliches Are Having a Ball: The Day of the Locust -- Postscript: Madonna's Bustier -- or ""The Burning of Los Angeles"" -- Notes -- Index. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a West, Nathanael, |d 1903-1940 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a West, Nathanael, |d 1903-1940. |2 fast |0 (OCoLC)fst00032867 |
| 600 | 1 | 7 | |a West, Nathanael. |2 swd |
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| 650 | 0 | |a Politics and literature |z United States |x History |y 20th century. | |
| 650 | 0 | |a Literature and society |z United States |x History |y 20th century. | |
| 650 | 0 | |a National characteristics, American, in literature. | |
| 650 | 0 | |a Surrealism (Literature) |z United States. | |
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| 650 | 0 | |a Economics in literature. | |
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| 650 | 6 | |a Politique et littérature |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Littérature et société |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Surréalisme (Littérature) |z États-Unis. | |
| 650 | 6 | |a Crises économiques dans la littérature. | |
| 650 | 6 | |a Économie politique dans la littérature. | |
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