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The invisible God : the earliest Christians on art /

This is a study of early Christian (first three centuries C.E.) attitudes toward art. The traditional view is that the early Christians produced no art because they were opposed in principle to visual images. When Christian art finally does appear, it has been considered a popular development and a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Finney, Paul Corby
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Oxford University Press, 1994.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The invisible God :  |b the earliest Christians on art /  |c Paul Corby Finney. 
260 |a New York :  |b Oxford University Press,  |c 1994. 
300 |a 1 online resource (xxviii, 319 pages) :  |b illustrations 
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505 0 |a The history of interpretation -- The apologists' attack on Greek art: history and literature -- The content of the attack on Greek art -- The emperor's image -- Christianity before 200: invisibility and adaptation -- The earliest Christian art -- Invisible divinity and visible religion. 
520 |a This is a study of early Christian (first three centuries C.E.) attitudes toward art. The traditional view is that the early Christians produced no art because they were opposed in principle to visual images. When Christian art finally does appear, it has been considered a popular development and a decline from earlier, more austere spiritual values. Corby Finney here refutes these traditional understandings, through a close examination of the archaeological and literary evidence in its cultural and social context. He finds that it was primarily the Christian belief in the invisibility of God that inhibited the production of images, rather than opposition to images as such. A contributory factor, he believes was the relative invisibility of the Christians themselves within Roman society. Christina art "came out" chiefly when the Christian acquired a legal status and the capacity to own property and to build (and hence to decorate) places of worship. Before this, says Finney, very little differentiated the Christians from society at large, and certainly not outward signs. When they did use decorated material objects (seals and lamps) they drew on symbols already in use.; Offering an important corrective to prevailing views about early Christianity, this study will be of great importance not only to scholars and students of Christian theology and history, but to art historians as well. 
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650 0 |a Christian art and symbolism  |y To 500. 
650 0 |a Christianity and culture  |x History  |y Early church, ca. 30-600. 
650 0 |a God  |x Knowableness  |x History of doctrines  |y Early church, ca. 30-600. 
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653 0 |a Christianity  |a Visual arts 
655 7 |a History  |2 fast 
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