The returns of history : Russian Nietzscheans after modernity /

Annotation.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kujundzic, Dragan, 1959-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Albany : State University of New York Press, ©1997.
Colección:SUNY series, the margins of literature.
Temas:
Nietzsche, Friedrich Wilhelm, > 1844-1900 > Influence.
Nietzsche, Friedrich Wilhelm, > 1844-1900.
Nietzsche, Friedrich > 1844-1900
1900-1999
Russian literature > 20th century > History and criticism.
Formalism (Literary analysis) > Soviet Union.
History > History > Philosophy.
Littérature russe > 20e siècle > Histoire et critique.
Formalisme (Littérature) > URSS.
Histoire > Histoire > Philosophie.
LITERARY CRITICISM > Russian & Former Soviet Union.
Formalism (Literary analysis)
History > Philosophy.
Influence (Literary, artistic, etc.)
Russian literature.
Rezeption
Formalismus > Literatur
Nietzscheanismus
Literatur
Moderne
Formalisme.
Soviet Union.
Russland
Russisch.
Criticism, interpretation, etc.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • 1. Nietzsche. A Knight's Move: Nietzsche and the Genealogy of Russian Formalism. Russian Modernism: A Merry Science. The Modernist Paradigm and the Digestion of History
  • 2. Parody. History as a Form of Parody/Parody as a Form of History. Parody, Bodily Remains, and the Leftovers of History. Tynianov and Bakhtin: Parody as a Malfunctioning Gramophone of History. On DerRIDEOlogy: Nietzschean Laughter in Bakhtin and Derrida. Bakhtin and the Post-Structuralist Condition. Writing and Laughter: Bakhtin and Derrida
  • 3. Interval. The Interval and the Structure of Temporality. Maiakovsky and the Remains of the Literary Canon. The Interval as the Origin of the Work of Art: Akhmatova. Mandel'stam, Pasternak
  • 4. Genre. The Literary Fact and the Law of Genre. Genre: A Borderline of Literary Space. Genre: A Borderline of Literary Time
  • 5. Mausoleum. The Mummy: "The Most Glorious Victory of Form" Maiakovsky and the Ventriloquism of History.
  • Russian Formalism and the Birth of the Mausoleum
  • 6. Museum. "The Wax Effigy" and the Form/aldehyde of History. The Kunstkamera: Museum in the Age of Mechanical Reproduction. The Circular Ruins of History. The Spurs of the Monument. "It is a Dying History": After Modernism.

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