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The modern voice in American poetry /
Proposing that modern American poetry requires "limber criticism," informed but not straitjacketed by contemporary theory, William Doreski links the major American modernists to each other and to the larger social and cultural world. His concerns include voice, rhetoric, history, and inter...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Gainesville :
University Press of Florida,
©1995.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Doreski, William. | |
| 245 | 1 | 4 | |a The modern voice in American poetry / |c William Doreski. |
| 260 | |a Gainesville : |b University Press of Florida, |c ©1995. | ||
| 300 | |a 1 online resource (xviii, 179 pages) | ||
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| 504 | |a Includes bibliographical references (pages 168-173) and index. | ||
| 520 | |a Proposing that modern American poetry requires "limber criticism," informed but not straitjacketed by contemporary theory, William Doreski links the major American modernists to each other and to the larger social and cultural world. His concerns include voice, rhetoric, history, and interiority (imagination) and exteriority (landscape). Doreski examines the work of well-known poets - concentrating on Robert Frost, Wallace Stevens, William Carlos Williams, Marianne Moore, T.S. Eliot, Ezra Pound, and Robert Lowell, but also including Alan Dugan, Robert Pinsky, John Ashbery, and Louise Gluck - from a fresh angle, often focusing on less-discussed poems (such as Eliot's "Portrait of a Lady"). Modernist poets experienced a vast shift in the relationship between poetry and society. Two principal themes underlie Doreski's criticism of their work: first, that they turned to drama, prose fiction, and extraliterary sources to expand the rhetorical range of their poetics; second, that their poetry demonstrates their conflict between a responsibility to history, tradition, or society and their desire to generate a world of their own making | ||
| 505 | 0 | |a Frost: lyric monologue and landscape -- Stevens: allegorical landscape and myth -- Williams and Moore: history and the colloquial style -- Eliot and Pound: political discourse and the voicing of difference -- Lowell: autobiography and vulnerability -- Epilogue: meditation and impersonality in contemporary poetry. | |
| 588 | 0 | |a Print version record. | |
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| 650 | 0 | |a American poetry |y 20th century |x History and criticism. | |
| 650 | 0 | |a Modernism (Literature) |z United States. | |
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| 650 | 7 | |a Modernism (Literature) |2 fast | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Doreski, William. |t Modern voice in American poetry. |d Gainesville : University Press of Florida, ©1995 |z 0813013623 |w (DLC) 94048343 |w (OCoLC)31783385 |
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