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The films of the eighties : a social history /
Annotation.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Carbondale :
Southern Illinois University Press,
©1993.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Palmer, William J., |d 1943- | |
| 245 | 1 | 4 | |a The films of the eighties : |b a social history / |c William J. Palmer. |
| 260 | |a Carbondale : |b Southern Illinois University Press, |c ©1993. | ||
| 300 | |a 1 online resource (xv, 335 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 313-323) and index. | ||
| 505 | 0 | |a The holograph of history -- The Vietnam War as film text -- The "coming home" films -- The terrorism film texts -- The nuclear war film texts -- From the "evil empire" to Glasnost -- The feminist farm crisis and other neoconservative feminist texts -- The yuppie texts -- Film in the holograph of new history. | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 520 | 8 | |a Annotation. |b In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it | |
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| 650 | 0 | |a Motion pictures |x Social aspects |z United States. | |
| 650 | 6 | |a Cinéma |x Aspect social |z États-Unis. | |
| 650 | 7 | |a SOCIAL SCIENCE |x Media Studies. |2 bisacsh | |
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| 776 | 0 | 8 | |i Print version: |a Palmer, William J., 1943- |t Films of the eighties. |d Carbondale : Southern Illinois University Press, ©1993 |z 0809318377 |w (DLC) 92033720 |w (OCoLC)26767715 |
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