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Doing it right : the best criticism on Sam Peckinpah's The wild bunch /
This exceptional critical discussion of Sam Peckinpah's innovative and influential tour de force The Wild Bunch brings together the very finest in reviews and criticism of the film since its release in 1969. Often misunderstood and misinterpreted because of its graphic violence, the film initia...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Carbondale :
Southern Illinois University Press,
©1994.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Doing it right : |b the best criticism on Sam Peckinpah's The wild bunch / |c edited with an introduction by Michael Bliss. |
| 260 | |a Carbondale : |b Southern Illinois University Press, |c ©1994. | ||
| 300 | |a 1 online resource (xxiii, 195 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 193-195). | ||
| 520 | |a This exceptional critical discussion of Sam Peckinpah's innovative and influential tour de force The Wild Bunch brings together the very finest in reviews and criticism of the film since its release in 1969. Often misunderstood and misinterpreted because of its graphic violence, the film initially generated considerable controversy. Peckinpah, who made the film after a four-year forced hiatus in his career (he had been blacklisted), created it as a depiction of the savage behavior possible in the post-World War I era. However, the ensuing controversy was not restricted only to the explicit story and images. Warner Bros.'s withdrawal of Peckinpah's cut of the film drew tremendous sympathy for Peckinpah from American and European film critics alike. | ||
| 520 | 8 | |a This casebook should be read as a supplement to a viewing of the film, which is now available in its uncut form in video. Edited with an introduction by Michael Bliss, the book explores the film's production history, giving an overview of its release problems, highlighting its stylistic characteristics, classic structure, use of the widescreen frame and breakthrough editing techniques, and discussing in detail its underlying moral message and representation of camaraderie and loyalty. In addition to Bliss, essayists include Robert Culp, Paul Schrader, Stephen Farber, Paul Seydor, Jim Kitses, Cordell Strug, John L. Simons, Aljean Harmetz, and Michael Sragow. The book concludes with an appendix and an extensive bibliography. A quarter of a century after its release, The Wild Bunch is considered Peckinpah's masterpiece and one of the most important American films ever produced. Bliss's fine collection of essays will give critics, students, teachers, and film aficionados a more complete understanding and appreciation of Peckinpah's work. | |
| 505 | 0 | 0 | |t Sam Peckinpah, the storyteller and The wild bunch: an appreciation / |r Robert Culp -- |t Sam Peckinpah going to Mexico / |r Paul Schrader -- |t Peckinpah's return / |r Stephen Farber -- |t The versions of The wild bunch / |r Paul Seydor -- |t The wild bunch / |r Jim Kitses -- |t The wild bunch and the problem of idealist aesthetics, or, how long would Peckinpah last in Plato's Republic? / |r Cordell Strug -- |t The tragedy of love in The wild bunch / |r John L. Simons -- |t The wild bunch as epic / |r Paul Seydor -- |t The conclusion of The wild bunch / |r Michael Bliss -- |t Man was a killer long before he served a god / |r Aljean Harmetz -- |t Sam Peckinpah, 1925-1984 / |r Michael Sragow -- |t Appendix: The wild bunch credits. |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 630 | 0 | 0 | |a Wild bunch (Motion picture) |
| 600 | 1 | 0 | |a Peckinpah, Sam, |d 1925-1984 |x Criticism and interpretation. |
| 600 | 1 | 6 | |a Peckinpah, Sam, |d 1925-1984 |x Critique et interprétation. |
| 630 | 0 | 6 | |a Wild bunch (Film cinématographique) |
| 600 | 1 | 7 | |a Peckinpah, Sam, |d 1925-1984. |2 fast |0 (OCoLC)fst00032403 |
| 630 | 0 | 7 | |a Wild bunch (Motion picture) |2 fast |0 (OCoLC)fst01381063 |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Bliss, Michael, |d 1947- | |
| 776 | 0 | 8 | |i Print version: |t Doing it right. |d Carbondale : Southern Illinois University Press, ©1994 |z 0809318636 |w (DLC) 93014502 |w (OCoLC)28425387 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=11975 |z Texto completo |
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