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The sounds of feminist theory /

In The Sounds of Feminist Theory, Ruth Salvaggio follows a distinctive turn toward the oral and evocative qualities of language in feminist theory. Questioning paradigms of female voice and varied feminist claims to language, she suggests that feminist theorists listen to the ways in which words mea...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Salvaggio, Ruth
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Albany : State University of New York Press, ©1999.
Colección:SUNY series in feminist criticism and theory.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Salvaggio, Ruth. 
245 1 4 |a The sounds of feminist theory /  |c Ruth Salvaggio. 
260 |a Albany :  |b State University of New York Press,  |c ©1999. 
300 |a 1 online resource (viii, 151 pages) 
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490 1 |a SUNY series in feminist criticism and theory 
504 |a Includes bibliographical references (pages 139-147) and index. 
505 0 |a Acknowledgments -- Preface: Hearing the O: Is the motion of words like sound? -- 1. Vocal critics -- 2. Narrative resonance -- 3. Resounding bodies -- 4. Queer curves -- 5. Poetic literacy -- Epilogue: Cracking the O: Is the motion of sound like ... thought? -- Notes -- Works cited -- Index. 
588 0 |a Print version record. 
520 |a In The Sounds of Feminist Theory, Ruth Salvaggio follows a distinctive turn toward the oral and evocative qualities of language in feminist theory. Questioning paradigms of female voice and varied feminist claims to language, she suggests that feminist theorists listen to the ways in which words mean more than they ostensibly signify, the ways in which language and epistemology - like sound - are mobile. She calls this theoretical project "Hearing the O," a process of listening for and seizing those wavering qualities of language that invite changes, often remarkable alterations, in how we think 
520 8 |a A range of contemporary feminist critical writers are discussed: Gloria Anzaldua, Judith Butler, Helene Cixous, Rachel Blau DuPlessis, Jane Flax, Susan Griffin, Donna Haraway, Luce Irigaray, Julia Kristeva, Elaine Pagels, Adrienne Rich, Eve Sedgwick, Joan Scott, Jane Tompkins, Trinh Minh-ha, and Patricia Williams. Their investment in the oral modulations of words marks not only a provocative engagement with the incommensurability of contemporary theory, but also a turn to the ambiguous and tangled qualities of language - "poetic literacy"--That generate an evocative epistemology 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a Feminist literary criticism. 
650 0 |a Women and literature. 
650 0 |a Feminism and literature. 
650 0 |a Feminist criticism. 
650 6 |a Critique féministe. 
650 6 |a Femmes et littérature. 
650 6 |a Féminisme et littérature. 
650 7 |a LITERARY CRITICISM  |x Semiotics & Theory.  |2 bisacsh 
650 7 |a Feminist criticism.  |2 fast  |0 (OCoLC)fst00922759 
650 7 |a Feminism and literature.  |2 fast  |0 (OCoLC)fst00922735 
650 7 |a Feminist literary criticism.  |2 fast  |0 (OCoLC)fst00922779 
650 7 |a Women and literature.  |2 fast  |0 (OCoLC)fst01177093 
650 7 |a Feminismus  |2 gnd 
650 7 |a Feministische Literaturwissenschaft  |2 gnd 
650 7 |a Frau  |2 gnd 
650 7 |a Literaturkritik  |2 gnd 
650 7 |a Literaturtheorie  |2 gnd 
650 7 |a Sprache  |2 gnd 
650 7 |a Literaturwissenschaft  |2 gnd 
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