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|a Lalvani, Suren,
|d 1954-
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|a Photography, vision, and the production of modern bodies /
|c Suren Lalvani.
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|a Albany :
|b State University of New York Press,
|c ©1996.
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|a 1 online resource (xiv, 265 pages) :
|b illustrations
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|a SUNY series, interruptions -- border testimony(ies) and critical discourse/s
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|a Includes bibliographical references (pages 237-257) and index.
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|a A theoretical framework -- Photography and the bourgeois body -- Photography and the deviant body -- Photography and the body of the worker -- The visual order of the nineteenth century.
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|a Print version record.
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|a Photography
|x Social aspects.
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|a Photography
|x Social aspects
|x History
|y 19th century.
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|a Human figure in art.
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|a Human beings in art.
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|a Photographie
|x Aspect social.
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|a Photographie
|x Aspect social
|x Histoire
|y 19e siècle.
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|a Corps humain dans l'art.
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|a Corps humain dans l'art
|x Technique.
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|a TECHNOLOGY & ENGINEERING
|x Imaging Systems.
|2 bisacsh
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|a PHOTOGRAPHY
|x Reference.
|2 bisacsh
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|a Human figure in art
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|a Photography
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|a 1800-1899
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|a History
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|i Print version:
|a Lalvani, Suren, 1954-
|t Photography, vision, and the production of modern bodies.
|d Albany : State University of New York Press, ©1996
|z 079142717X
|w (DLC) 95036567
|w (OCoLC)32923691
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|a SUNY series, interruptions--border testimony(ies) and critical discourse/s.
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