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|a Medina, Joyce,
|d 1953-
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|a Cézanne and modernism :
|b the poetics of painting /
|c Joyce Medina.
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| 260 |
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|a Albany, NY :
|b State University of New York Press,
|c ©1995.
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| 300 |
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|a 1 online resource (x, 250 pages) :
|b illustrations
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| 336 |
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|a text
|b txt
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|a computer
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|a SUNY series, the margins of literature
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|a Includes bibliographical references (pages 237-243) and index.
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|a Print version record.
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|a I. Cezanne and the Unity of Modernism. Modernism: Technique vs. Content. Cezanne: The Late Work -- II. From Impressionism to Cezanne: Psychological Theories. The Impression as Medium. The Redefinition of Sensation: Psychology and Epistemology. Psychological Positivism: Taine. Psychological Eclecticism: Psychophysics. Empathetic and Abstract Psychologism. The Bergsonian Synthesis. The Blending of Horizons: Bergson, Cezanne, Modernism -- III. From Impressionism to Cezanne: Aesthetic Theories. The Impressionists: From Sensations to Signs. From Truth to Symbol: Optics and Color Science. The Symbolists: From Signs to Images. In Conclusion: Cezanne, the Potential Synthesis -- IV. The Path into Modernism: Four Modalities of Imagery in Cezanne. The "Legendary" Cezanne. "Realization" in Nineteenth-Century Aesthetics. Cezanne's Early Period (1863-95). Symbolic Images: Realisation des Sensations. Cezanne's Experimental Period (1880-95). Plastic Images: Realisation sur Nature. Modulation. Condensation. The Motif. The Period of Serialization (1890-1906). Contemplative Images: Realisation du Motif. Visionary Images: Realisation du Motif -- V. Death and Non-Figuration: Cezanne's Ultimate Synthesis. The Pictorial Materials of the Imagination: Analytic Components and Antecedents of the Shifting Motif of The Cardplayers. The Narrative Materials of the Imagination: Scenes of Cardplaying and Card Fables as Sources of Emplotment. The Affective Materials: The Ugolino Drawing and Other Biographical Images as Indistinct Elements of Motif in The Cardplayers. Excursus: On the Mythology of Modern Death. Conclusion: The Trump Card/Players.
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| 506 |
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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| 533 |
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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| 538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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| 583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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| 546 |
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|a English.
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| 590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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| 600 |
1 |
0 |
|a Cézanne, Paul,
|d 1839-1906
|x Criticism and interpretation.
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| 600 |
1 |
6 |
|a Cézanne, Paul,
|d 1839-1906
|x Critique et interprétation
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| 600 |
1 |
7 |
|a Cézanne, Paul,
|d 1839-1906
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| 600 |
1 |
7 |
|a Cézanne, Paul.
|2 swd
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| 650 |
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|a Impressionism (Art)
|z France.
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| 650 |
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0 |
|a Modernism (Art)
|z France.
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| 650 |
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0 |
|a Painting, French
|y 19th century.
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| 650 |
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|a Aesthetics, Modern
|y 20th century.
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| 650 |
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|a Art
|x Psychology.
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| 650 |
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0 |
|a Aesthetics, Modern.
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| 650 |
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6 |
|a Impressionisme (Art)
|z France
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| 650 |
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6 |
|a Modernisme (Art)
|z France.
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| 650 |
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6 |
|a Peinture française
|y 19e siècle.
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| 650 |
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6 |
|a Esthétique
|y 20e siècle.
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| 650 |
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6 |
|a Art
|x Psychologie.
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| 650 |
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6 |
|a Impressionnisme (Art)
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| 650 |
|
7 |
|a ART
|x History
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|2 bisacsh
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| 650 |
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|2 fast
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| 650 |
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|a Art
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| 650 |
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7 |
|a Impressionism (Art)
|2 fast
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| 650 |
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|a Modernism (Art)
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|a Painting, French
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|a France
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|a Moderne
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|a Ästhetik
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| 650 |
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|a Art, Architecture & Applied Arts.
|2 hilcc
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|a Painting.
|2 hilcc
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|a 1800-1999
|2 fast
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| 655 |
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a Medina, Joyce, 1953-
|t Cézanne and modernism.
|d Albany, NY : State University of New York Press, ©1995
|z 0791422313
|w (DLC) 94031716
|w (OCoLC)30895184
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| 830 |
|
0 |
|a SUNY series, the margins of literature.
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