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|a Morse, Margaret.
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|a Virtualities :
|b television, media art, and cyberculture /
|c Margaret Morse.
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|a Bloomington :
|b Indiana University Press,
|c ©1998.
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|a Theories of contemporary culture ;
|v v. 21
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|a Includes bibliographical references (pages 243-256) and index.
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|a pt. 1. Virtualities as Fictions of Presence. 1. Virtualities: A Conceptual Framework. 2. The News As Performance: The Image As Event -- pt. 2. Immersion in Image Worlds: Virtuality and Everyday Life. 3. Television Graphics and the Virtual Body: Words on the Move. 4. An Ontology of Everyday Distraction: The Freeway, the Mall, and Television. 5. What Do Cyborgs Eat? Oral Logic in an Information Society -- pt. 3. Media Art and Virtual Environments. 6. The Body, the Image, and the Space-in-Between: Video Installation Art. 7. Cyberscapes, Control, and Transcendence: The Aesthetics of the Virtual.
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|a In Virtualities, Margaret Morse focuses on the interactions that people have with machines and images. Morse contends that such interactions, far from being liberating, actually cloak an impoverished public sphere by idealising impersonal relations.
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|a Electronic reproduction.
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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|a Virtual reality
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|a Médias
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|a Interaction sociale.
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|a Ordinateurs et civilisation.
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