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The semeiosis of poetic metaphor /

How might an understanding of semeiosis enrich our understanding and appreciation of the literary work? Micael Cabot Haley investigates the creative working of metaphor from the perspective of the semeiotic theory of Charles Sanders Peirce. Haley bringes Peirce's sign theory, categories, philos...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Haley, Michael C. (Michael Cabot), 1947- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, Indiana : Indiana University Press, [1988]
Colección:Peirce studies ; no. 4.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Haley, Michael C.  |q (Michael Cabot),  |d 1947-  |e author. 
245 1 4 |a The semeiosis of poetic metaphor /  |c Michael Cabot Haley. 
264 1 |a Bloomington, Indiana :  |b Indiana University Press,  |c [1988] 
264 4 |c ©1988 
300 |a 1 online resource (xiv, 178 pages) 
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490 1 |a Peirce studies ;  |v no. 4 
504 |a Includes bibliographical references (pages 170-173) and index. 
505 0 |a Through the Peircean telescope : metaphor as symbol, index, and icon -- Under the Peircean microscope : metaphor as image, diagram, and metaicon -- Focus interpretation : metaphoric possibility as firstness -- Focus interpretation : Pearcean hypoicons in poetry -- Vehicle interpretation : the index of figural displacement -- Metaphoric growth. 
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588 0 |a Print version record. 
520 |a How might an understanding of semeiosis enrich our understanding and appreciation of the literary work? Micael Cabot Haley investigates the creative working of metaphor from the perspective of the semeiotic theory of Charles Sanders Peirce. Haley bringes Peirce's sign theory, categories, philosophical realism, and objective idealism to bear upon metaphor, illustrating the role of figruative semeiosis as a creative principle of semantic growth in literature, language, and consciousness. The Peircean metaphor is shown to be a "metaicon," which appears in poetry as a perennially fresh srchetypal metaphor, generating a myriad of poetic diagrams and images. Peirce's central man-as-symbol metaphor is revealed as grounded in a symmetrical metaicon controlling and guiding abductive discovery of many kinds. Haley applies this Peircean scheme to actual literary uses of metaphor by such poets as William Shakespeare, John Keats, and T. S. Eliot, revealing in abundant detail just how Peircean conception works itself out in practice. Haley's clear-headed, perspicacious analysis takes a first step toward the founding of a Peircean semeiotic of figurative language. 
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600 1 0 |a Peirce, Charles S.  |q (Charles Sanders),  |d 1839-1914. 
600 1 6 |a Peirce, Charles S.  |q (Charles Sanders),  |d 1839-1914. 
600 1 7 |a Peirce, Charles S.  |q (Charles Sanders),  |d 1839-1914  |2 fast 
650 0 |a Metaphor. 
650 0 |a Semiotics. 
650 2 |a Metaphor 
650 6 |a Métaphore. 
650 6 |a Sémiotique. 
650 7 |a metaphor.  |2 aat 
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650 7 |a REFERENCE  |x Writing Skills.  |2 bisacsh 
650 7 |a LANGUAGE ARTS & DISCIPLINES  |x Composition & Creative Writing.  |2 bisacsh 
650 7 |a Metaphor  |2 fast 
650 7 |a Semiotics  |2 fast 
650 1 7 |a Semiotiek.  |2 gtt 
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653 |a Languages & Literatures. 
653 |a Philology & Linguistics. 
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830 0 |a Peirce studies ;  |v no. 4. 
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