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I don't sound like nobody : remaking music in 1950s America /

"The 1950s marked a radical transformation in American popular music as the nation drifted away from its love affair with big band swing to embrace the unschooled and unruly new sounds of rock 'n' roll. The sudden flood of records from the margins of the music industry left impression...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Zak, Albin (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press, [2010]
Colección:Tracking pop.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Zak, Albin,  |e author. 
245 1 0 |a I don't sound like nobody :  |b remaking music in 1950s America /  |c Albin J. Zak III. 
264 1 |a Ann Arbor :  |b University of Michigan Press,  |c [2010] 
264 4 |c ©2010 
300 |a 1 online resource (x, 308 pages, 6 unnumbered pages of plates). 
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380 |a Discography 
490 1 |a Tracking pop 
504 |a Includes bibliographical references (pages 265-273), discography (pages 275-285), and index. 
505 0 |a Records on the radio -- Shifting currents in the mainstream -- Hustlers and amateurs -- Crossing over -- Surface noise -- "Hail! Hail! Rock and roll" -- New traditions. 
588 |a Description based on print version record; resource not viewed. 
520 |a "The 1950s marked a radical transformation in American popular music as the nation drifted away from its love affair with big band swing to embrace the unschooled and unruly new sounds of rock 'n' roll. The sudden flood of records from the margins of the music industry left impressions on the pop soundscape that would eventually reshape long-established listening habits and expectations, as well as conventions of songwriting, performance, and recording. When Elvis Presley claimed, "I don't sound like nobody," a year before he made his first commercial record, he unwittingly articulated the era's musical Zeitgeist. The central story line of I Don't Sound Like Nobody is change itself. The book's characters include not just performers but engineers, producers, songwriters, label owners, radio personalities, and fans--all of them key players in the decade's musical transformation."--Publisher description. 
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650 0 |a Music  |z United States  |y 20th century  |x History and criticism. 
650 0 |a Music trade  |z United States. 
650 6 |a Musique  |x Industrie  |z États-Unis. 
650 7 |a MUSIC  |x Genres & Styles  |x Pop Vocal.  |2 bisacsh 
650 7 |a MUSIC  |x General.  |2 bisacsh 
650 7 |a Music  |2 fast 
650 7 |a Music trade  |2 fast 
651 7 |a United States  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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830 0 |a Tracking pop. 
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