Automated sound design /

"Sound design is a ubiquitous subject for electronic musicians working across a staggering array of contemporary musical styles and practices. There is an extensive literature covering the creation of Foley effects, and another body of literature addressing domain-specific applications of sound...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lyon, Eric, 1962- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Middleton, Wisconsin : A-R Editions, Inc., [2023]
Colección:Computer music and digital audio series ; v. 28.
Temas:
Computer music.
Computer sound processing.
Son > Traitement par ordinateur.
Acceso en línea:Texto completo

MARC

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040 |a EBLCP  |b eng  |e rda  |c EBLCP  |d YDX  |d OCLCQ  |d OCLCO  |d OCLCF 
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035 |a (OCoLC)1371754047 
050 4 |a MT723  |b .L96 2023 
082 0 4 |a 786.76  |2 23/eng/20230801 
049 |a UAMI 
100 1 |a Lyon, Eric,  |d 1962-  |e author. 
245 1 0 |a Automated sound design /  |c Eric Lyon. 
264 1 |a Middleton, Wisconsin :  |b A-R Editions, Inc.,  |c [2023] 
264 4 |c Ã2023 
300 |a 1 online resource (426 p.). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a The computer music and digital audio series ;  |v volume 28 
500 |a Description based upon print version of record. 
505 0 |a Tweaking and randomness -- Additive synthesis I : harmonic spectra -- Additive synthesis II : inharmonicity and polyphony -- Additive synthesis III : ambient textures -- Additive synthesis IV : analysis-transformation-synthesis -- Frequency modulation I : direct synthesis -- Frequency modulation II : parametric control -- Automated drum machines I : a Max project -- Automated drum machines II : a SuperCollider project -- Aggregate processors in Max -- Too many notes : Black MIDI -- Audio processing in the web browser -- Afterword. 
520 |a "Sound design is a ubiquitous subject for electronic musicians working across a staggering array of contemporary musical styles and practices. There is an extensive literature covering the creation of Foley effects, and another body of literature addressing domain-specific applications of sound design technique, e.g., how to make bass sounds for Dubstep or how to produce drum sounds for Trap. There is also a computer music literature that focuses on the mathematics of digital signal processing as it pertains to implementing classic digital synthesis and processing techniques. Automated sound design addresses the topic from a different perspective, demonstrating the power of sound design when enhanced by automated structures implemented with computer programming. Through the techniques and projects developed in this book, the reader will learn how to create sound design scenarios that generate classes of sounds with controlled unpredictability and unlimited variety of output. This adventure will reveal new ways to work with additive synthesis, frequency modulation, analysis-transformation synthesis, drum machines, Black MIDI, and spatialization for binaural listening"--  |c Back cover. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Computer music. 
650 0 |a Computer sound processing. 
650 6 |a Son  |x Traitement par ordinateur. 
650 7 |a Computer music.  |2 fast  |0 (OCoLC)fst00872274 
650 7 |a Computer sound processing.  |2 fast  |0 (OCoLC)fst00872627 
776 0 8 |i Print version:  |a Lyon, Eric  |t Automated Sound Design  |d Middleton : A-R Editions,c2022  |z 9780895798947 
830 0 |a Computer music and digital audio series ;  |v v. 28. 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=7207378  |z Texto completo 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL7207378 
994 |a 92  |b IZTAP 

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