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The aesthetics and politics of cinematic pedestrianism : walking in films /

The Aesthetics and Politics of Cinematic Pedestrianism: Walking in Films offers a rich exploration of the cinematic aesthetics that filmmakers devised to reflect the corporeal and affective experience of walking in the city. Drawing from literature in urban studies, film theory, and aesthetic philos...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Özgen, Aslı (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2022]
Colección:Film culture in transition.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Özgen, Aslı,  |e author. 
245 1 4 |a The aesthetics and politics of cinematic pedestrianism :  |b walking in films /  |c Aslı Özgen. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2022] 
300 |a 1 online resource (255 pages) :  |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Film culture in transition 
504 |a Includes bibliographical references (pages [237]-248), filmography (pages [249]-250), and index. 
505 0 |a Introduction : cinematic pedestrianism in the city -- Moving body, moving pictures : the emergence of cinematic pedestrianism -- The flâneur as filmmaker -- The flâneuse and the aesthetics of the female gaze -- A wandering eye : the kino-pedestrian -- Walking amidst ruins : a pedestrian cinema -- Feminist nomads : the politics of walking in Agnes Varda -- Cinematic pedestrianism afoot : a conclusion. 
520 |a The Aesthetics and Politics of Cinematic Pedestrianism: Walking in Films offers a rich exploration of the cinematic aesthetics that filmmakers devised to reflect the corporeal and affective experience of walking in the city. Drawing from literature in urban studies, film theory, and aesthetic philosophy, it is the first monograph to approach the history of cinema from the perspective of walking. A series of case studies providing nuanced analyses of widely referenced figures, such as the flaneur/flâneuse, vagabond, and nomad, reveal how filmmakers articulated their objection to repressive structures through depictions of walking: a common, everyday act yet transgressive, bold, and indomitable. Through the lens of Henri Lefebvre's theory of space, Michel de Certeau's concept of pedestrian acts, and Jacques Ranciere's treatment of the politics of aesthetics, Walking in Films traces how cinema evolved in conversation with the mobile body and the new images, styles, and techniques that emerged with it. 
588 |a Description based on online resource; title from digital title page (viewed on November 16, 2022). 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Cities and towns in motion pictures. 
650 0 |a Walking in motion pictures. 
650 6 |a Villes au cinéma. 
650 7 |a Films, cinema.  |2 bicssc 
650 7 |a Cultural studies.  |2 bicssc 
650 7 |a PERFORMING ARTS / Film & Video / General  |2 bisacsh 
650 7 |a Cities and towns in motion pictures  |2 fast 
650 7 |a Walking in motion pictures  |2 fast 
650 7 |a Film history, theory or criticism.  |2 thema 
650 7 |a Social and cultural history.  |2 thema 
650 7 |a Philosophy: aesthetics.  |2 thema 
653 |a Film Theory, History of Film, Urban Studies, Philosophy Media Archaeology. 
776 0 8 |i Print version:  |z 9789463724753 
830 0 |a Film culture in transition. 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=30205785  |z Texto completo 
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