The Global Contemporary Art World
Autor principal: | |
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Newark :
John Wiley & Sons, Incorporated,
2017.
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Colección: | New York Academy of Sciences Ser.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro
- Title Page
- Table of Contents
- About the Author
- Introduction: "Global," "Contemporary," "Art," "World"
- Entering the Maze
- Modernity, Contemporary Art and Globalization
- Five Asian Centers within the Global Contemporary Art World
- Global Crash, Crises and the Art World
- Contemporary Art in the Friezer
- 1 Doing the Business
- Hong Kong Gets the Art Basel Treatment
- Offshore Art Business in the Global Neoliberal Capitalist Economy
- Combined and Uneven Development in the Hong Kong Art World
- Hong Kong's Art World Inside and Outside China
- 2 New Media Art and Cultural Globalism in South Korea
- The Chic of Global "New Media Art"
- Contemporary Art as Global Cultural Diplomacy
- "Glocal Video": Conventions and Critiques
- Culture, Contemporaneity and the Postcolonial Artwork
- The "Real DMZ Project": Conflict Art in the Korean Peninsula
- Contemporary Art Across Global Asia
- 3 Globalizing Indian Contemporary Art
- The Kochi Biennale Big Sell
- Kochi as a Global Venue
- Art at Kochi: Liberal Pluralism Versus Social Engagement with Globalization?
- The Highs and Lows of Art, Media and Kochi Biennale Capital
- Utopian Rhetoric in Contemporary Art at the Kochi Biennale
- 4 Social Reproduction of Contemporary Art in the People's Republic of China
- Art and Design Education as a Globalization Process
- Changing Identifications in Art and Design Education in China
- Contemporary Chinese Art Marketed for Global Consumption
- Chinese Art and the World Art System
- 5 Contemporary Art and Post-National Identities in the State of Palestine
- "Palestine is Open for Business"!
- Grounding the Culture Industry in Palestine
- Palestinian Museums-of-art-in-waiting
- The "NGO-ization" of the Contemporary Art World in the State of Palestine
- Concrete into Dust
- Conclusion: Motifs of Global Fracture in the Art Of Bashir Makhoul and Wang Guofeng
- Re-Entering the Maze
- In Girum Imus Nocte et Consumimur Igni
- Utopian Photo-Mythologies
- Aesthetic and Social Implications of Digital Photography
- The One and the Multitude in the World Order/Disorder
- Selected Bibliography
- Index
- End User License Agreement