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OCoLC |
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20240329122006.0 |
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m o d |
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230209s2017 xx o ||| 0 eng d |
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|a EBLCP
|b eng
|c EBLCP
|d OCLCQ
|d OCLCO
|d OCLCQ
|d EBLCP
|d OCLCQ
|d OCLCL
|d OCLCQ
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| 020 |
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|a 9781118339084
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|a 1118339088
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| 035 |
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|a (OCoLC)1347029501
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|2 23/eng/20230216
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|a UAMI
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| 100 |
1 |
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|a Harris, Jonathan.
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| 245 |
1 |
4 |
|a The Global Contemporary Art World
|h [electronic resource].
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| 260 |
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|a Newark :
|b John Wiley & Sons, Incorporated,
|c 2017.
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| 300 |
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|a 1 online resource (250 p.).
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| 490 |
1 |
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|a New York Academy of Sciences Ser.
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| 500 |
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|a Description based upon print version of record.
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0 |
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|a Intro -- Title Page -- Table of Contents -- About the Author -- Introduction: "Global," "Contemporary," "Art," "World" -- Entering the Maze -- Modernity, Contemporary Art and Globalization -- Five Asian Centers within the Global Contemporary Art World -- Global Crash, Crises and the Art World -- Contemporary Art in the Friezer -- 1 Doing the Business -- Hong Kong Gets the Art Basel Treatment -- Offshore Art Business in the Global Neoliberal Capitalist Economy -- Combined and Uneven Development in the Hong Kong Art World -- Hong Kong's Art World Inside and Outside China
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| 505 |
8 |
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|a 2 New Media Art and Cultural Globalism in South Korea -- The Chic of Global "New Media Art" -- Contemporary Art as Global Cultural Diplomacy -- "Glocal Video": Conventions and Critiques -- Culture, Contemporaneity and the Postcolonial Artwork -- The "Real DMZ Project": Conflict Art in the Korean Peninsula -- Contemporary Art Across Global Asia -- 3 Globalizing Indian Contemporary Art -- The Kochi Biennale Big Sell -- Kochi as a Global Venue -- Art at Kochi: Liberal Pluralism Versus Social Engagement with Globalization? -- The Highs and Lows of Art, Media and Kochi Biennale Capital
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| 505 |
8 |
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|a Utopian Rhetoric in Contemporary Art at the Kochi Biennale -- 4 Social Reproduction of Contemporary Art in the People's Republic of China -- Art and Design Education as a Globalization Process -- Changing Identifications in Art and Design Education in China -- Contemporary Chinese Art Marketed for Global Consumption -- Chinese Art and the World Art System -- 5 Contemporary Art and Post-National Identities in the State of Palestine -- "Palestine is Open for Business"! -- Grounding the Culture Industry in Palestine -- Palestinian Museums-of-art-in-waiting
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| 505 |
8 |
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|a The "NGO-ization" of the Contemporary Art World in the State of Palestine -- Concrete into Dust -- Conclusion: Motifs of Global Fracture in the Art Of Bashir Makhoul and Wang Guofeng -- Re-Entering the Maze -- In Girum Imus Nocte et Consumimur Igni -- Utopian Photo-Mythologies -- Aesthetic and Social Implications of Digital Photography -- The One and the Multitude in the World Order/Disorder -- Selected Bibliography -- Index -- End User License Agreement
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| 590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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| 655 |
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0 |
|a Electronic books.
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| 758 |
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|i has work:
|a The global contemporary art world (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGjMyYrQ8PwD3Rv4K9HR83
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|a Harris, Jonathan
|t The Global Contemporary Art World
|d Newark : John Wiley & Sons, Incorporated,c2017
|z 9781118288917
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| 830 |
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0 |
|a New York Academy of Sciences Ser.
|
| 856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=7103555
|z Texto completo
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| 938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL7103555
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| 994 |
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|a 92
|b IZTAP
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