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EBOOKCENTRAL_on1347029339 |
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OCoLC |
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20240329122006.0 |
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m o d |
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230209s2013 xx o ||| 0 eng d |
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|a EBLCP
|b eng
|c EBLCP
|d OCLCQ
|d OCLCO
|d EBLCP
|d OCLCQ
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| 020 |
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|a 9781118499870
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|a 1118499875
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| 035 |
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|a (OCoLC)1347029339
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0 |
4 |
|a 741.5/9
|q OCoLC
|2 23/eng/20231120
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|a UAMI
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| 100 |
1 |
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|a Kukkonen, Karin.
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| 245 |
1 |
0 |
|a Studying Comics and Graphic Novels
|h [electronic resource].
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| 260 |
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|a Newark :
|b Wiley,
|c 2013.
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| 300 |
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|a 1 online resource (192 p.).
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| 490 |
1 |
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|a New York Academy of Sciences Ser.
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| 500 |
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|a Description based upon print version of record.
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0 |
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|a Intro -- Studying Comics and Graphic Novels -- Copyright -- Contents -- Acknowledgments -- Introduction: How to Use This Book -- What This Book Holds -- Working Definitions -- Recommended Reading -- References -- 1 What's in a Page: Close-Reading Comics -- Cognitive Processes and Critical Terms -- Navigating the Comics Page -- Entering the Storyworld and Meeting its Participants -- Comics Analysis -- A Basic Checklist -- Note -- Recommended Reading -- References -- Comics Discussed -- 2 The Way Comics Tell it: Narration and Narrators1 -- Showing and Telling -- Story, Discourse, and Plot
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|a The Narrator -- Narration, Focalization, and Point of View -- Narrative as Meaning-Making -- Graphic Narrative -- A Basic Checklist -- Note -- Recommended Reading -- References -- Comics Discussed -- 3 Narrating Minds and Bodies: Autobiographical Comics -- Style and Subjectivity -- Autographic Agents -- Embodiment -- Self-Reflexivity -- Time, Story, and History -- Alternative Agendas and Authenticity -- Note -- Recommended Reading -- References -- Comics Discussed -- 4 Novels and Graphic Novels: Adaptations -- Transporting Stories -- Media Affordances and Adaptation Strategies
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| 505 |
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|a Fidelity in Adaptation -- Literary Complexity -- The Page Revisited -- Recommended Reading -- References -- Comics Discussed -- 5 Comics and Their History -- The Beginnings of Comics History -- Precursors in Emergent Mass Culture -- Newspaper Comics (1900s-1930s) -- The Comic Book (1930-54) -- Comics Censorship (1954) -- Comics as Popular Culture -- Breaking the Code 1: Pop Art and Underground Comix -- Breaking the Code 2: The British Invasion -- Notes -- Recommended Reading -- References -- Comics Discussed -- 6 The Study and Criticism of Comics -- Resources for Studying Comics
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| 505 |
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|a Access to Comics Texts -- Critical Work on Comics -- Critical Approaches to Comics -- Comics Semiotics -- Comics Narratology -- Cognitive Approaches to Comics -- Historical and Auteurist Approaches -- Cultural Studies and Gender Studies -- Psychoanalysis -- Recommended Reading -- References -- How to Write Your Essay on Comics -- The Crime Scene -- The Witnesses -- Making Your Case -- End Credits -- Recommended Reading -- Conclusion -- Comics as Literature -- References -- Appendix: More Comics and Graphic Novels to Read -- Glossary -- Index
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| 590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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| 655 |
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0 |
|a Electronic books.
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| 776 |
0 |
8 |
|i Print version:
|a Kukkonen, Karin
|t Studying Comics and Graphic Novels
|d Newark : Wiley,c2013
|z 9781118499924
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| 830 |
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0 |
|a New York Academy of Sciences Ser.
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| 856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=7103735
|z Texto completo
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| 938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL7103735
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| 994 |
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|a 92
|b IZTAP
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