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Minerva's Night Out Philosophy, Pop Culture, and Moving Pictures.

Detalles Bibliográficos
Autor principal: Carroll, Noël
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newark : John Wiley & Sons, Incorporated, 2013.
Colección:New York Academy of Sciences Ser.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro
  • Minerva's Night Out: Philosophy, Pop Culture, and Moving Pictures
  • Copyright
  • Contents
  • Acknowledgments
  • Introduction: Philosophy and the Popular Arts
  • Notes
  • Section I The Philosophy of Mass Art
  • 1 The Ontology of Mass Art
  • I. The definition of mass art
  • II. The ontology of mass art
  • III. Objection #1: All art is multiple
  • IV. Objection #2: Mass art is irrelevant
  • Notes
  • 2 Modernity and the Plasticity of Perception
  • Notes
  • 3 The Ties that Bind: Characters, the Emotions, and Popular Fictions
  • The issues
  • Identification
  • Simulation
  • Sympathy
  • Mirror reflexes
  • Summary
  • Notes
  • 4 Character, Social Information, and the Challenge of Psychology
  • I. Introduction
  • II. Aristotle, poetry, and character
  • III. Social psychological skepticism about character
  • IV. A defense of a modified version of the common view
  • V. The Big Country
  • VI. Summary
  • Notes
  • Section II The Philosophy of Motion Pictures
  • 5 Movies, the Moral Emotions, and Sympathy
  • I. Introduction
  • II. Emotions and movies
  • III. The moral emotions and the audience's response to movie characters, actions, events, and scenes
  • IV. Sympathy/antipathy, morality, and the movies
  • V. Concluding remarks
  • Notes
  • 6 The Problem with Movie Stars
  • Introduction
  • The problem
  • Film, photography, and allusion
  • The movie star as allusion
  • Summary
  • Notes
  • 7 Cinematic Narrative
  • 8 Cinematic Narration
  • 9 Psychoanalysis and the Horror Film
  • Notes
  • References
  • Section III Philosophy and Popular Film
  • 10 Philosophical Insight, Emotion, and Popular Fiction: The Case of Sunset Boulevard
  • Introduction
  • Sunset Boulevard
  • How can Sunset Boulevard be philosophical?
  • Summary
  • Notes
  • References
  • 11 Vertigo and the Pathologies of Romantic Love
  • Aristotle, philosophy, and drama
  • Love and fantasy
  • Falling in love
  • Knots
  • Notes
  • 12 What Mr Creosote Knows about Laughter
  • To laugh, or to scream?
  • Who's afraid of Mr Creosote?
  • Just desserts
  • Notes
  • 13 Memento and the Phenomenology of Comprehending Motion Picture Narration
  • Introduction
  • On the possibility of movie-made philosophy
  • Memento and the Art Cinema
  • Memento and narrative comprehension
  • Concluding remarks
  • Notes
  • Section IV Philosophy and Popular TV
  • 14 Tales of Dread in The Twilight Zone: A Contribution to Narratology
  • Introduction
  • Tales of dread: some examples from The Twilight Zone
  • The nature and function of Tales of Dread
  • Horror fictions and tales of dread: a brief note
  • Notes
  • 15 Sympathy for Soprano
  • Sympathy for the devil
  • It was fascination
  • Wish fulfillment
  • Identification
  • Paradox solved
  • A remaining problem
  • Notes
  • 16 Consuming Passion: Sex and the City
  • I. Introduction
  • II. Consumerism
  • III. Ethics and the evils of consumerism
  • IV. Consumerism and the mass media
  • V. Sex and the City