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20240329122006.0 |
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230209s2013 xx o ||| 0 eng d |
040 |
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|a EBLCP
|b eng
|c EBLCP
|d OCLCQ
|d OCLCO
|d OCLCQ
|d EBLCP
|d OCLCQ
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|a 9781118322994
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020 |
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|a 1118322991
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|a (OCoLC)1347029299
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082 |
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4 |
|a 791.4301
|q OCoLC
|2 23/eng/20230216
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049 |
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|a UAMI
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100 |
1 |
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|a Carroll, Noël.
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245 |
1 |
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|a Minerva's Night Out
|h [electronic resource] :
|b Philosophy, Pop Culture, and Moving Pictures.
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260 |
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|a Newark :
|b John Wiley & Sons, Incorporated,
|c 2013.
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300 |
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|a 1 online resource (370 p.).
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490 |
1 |
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|a New York Academy of Sciences Ser.
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500 |
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|a Description based upon print version of record.
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|a Intro -- Minerva's Night Out: Philosophy, Pop Culture, and Moving Pictures -- Copyright -- Contents -- Acknowledgments -- Introduction: Philosophy and the Popular Arts -- Notes -- Section I The Philosophy of Mass Art -- 1 The Ontology of Mass Art -- I. The definition of mass art -- II. The ontology of mass art -- III. Objection #1: All art is multiple -- IV. Objection #2: Mass art is irrelevant -- Notes -- 2 Modernity and the Plasticity of Perception -- Notes -- 3 The Ties that Bind: Characters, the Emotions, and Popular Fictions -- The issues -- Identification -- Simulation -- Sympathy
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|a Mirror reflexes -- Summary -- Notes -- 4 Character, Social Information, and the Challenge of Psychology -- I. Introduction -- II. Aristotle, poetry, and character -- III. Social psychological skepticism about character -- IV. A defense of a modified version of the common view -- V. The Big Country -- VI. Summary -- Notes -- Section II The Philosophy of Motion Pictures -- 5 Movies, the Moral Emotions, and Sympathy -- I. Introduction -- II. Emotions and movies -- III. The moral emotions and the audience's response to movie characters, actions, events, and scenes
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|a IV. Sympathy/antipathy, morality, and the movies -- V. Concluding remarks -- Notes -- 6 The Problem with Movie Stars -- Introduction -- The problem -- Film, photography, and allusion -- The movie star as allusion -- Summary -- Notes -- 7 Cinematic Narrative -- 8 Cinematic Narration -- 9 Psychoanalysis and the Horror Film -- Notes -- References -- Section III Philosophy and Popular Film -- 10 Philosophical Insight, Emotion, and Popular Fiction: The Case of Sunset Boulevard -- Introduction -- Sunset Boulevard -- How can Sunset Boulevard be philosophical? -- Summary -- Notes -- References
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|a 11 Vertigo and the Pathologies of Romantic Love -- Aristotle, philosophy, and drama -- Love and fantasy -- Falling in love -- Knots -- Notes -- 12 What Mr Creosote Knows about Laughter -- To laugh, or to scream? -- Who's afraid of Mr Creosote? -- Just desserts -- Notes -- 13 Memento and the Phenomenology of Comprehending Motion Picture Narration -- Introduction -- On the possibility of movie-made philosophy -- Memento and the Art Cinema -- Memento and narrative comprehension -- Concluding remarks -- Notes -- Section IV Philosophy and Popular TV
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|a 14 Tales of Dread in The Twilight Zone: A Contribution to Narratology -- Introduction -- Tales of dread: some examples from The Twilight Zone -- The nature and function of Tales of Dread -- Horror fictions and tales of dread: a brief note -- Notes -- 15 Sympathy for Soprano -- Sympathy for the devil -- It was fascination -- Wish fulfillment -- Identification -- Paradox solved -- A remaining problem -- Notes -- 16 Consuming Passion: Sex and the City -- I. Introduction -- II. Consumerism -- III. Ethics and the evils of consumerism -- IV. Consumerism and the mass media -- V. Sex and the City
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500 |
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|a VI. "A vogue idea"
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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655 |
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0 |
|a Electronic books.
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776 |
0 |
8 |
|i Print version:
|a Carroll, Noël
|t Minerva's Night Out
|d Newark : John Wiley & Sons, Incorporated,c2013
|z 9781118322925
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830 |
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0 |
|a New York Academy of Sciences Ser.
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856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=7103525
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL7103525
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994 |
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|a 92
|b IZTAP
|