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20240329122006.0 |
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230209s2005 xx o ||| 0 eng d |
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|a 9781405152013
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|a 140515201X
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|a (OCoLC)1347027696
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|a 791.43/01
|q OCoLC
|2 22/eng/20230216
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|a UAMI
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|a Carroll, Noël.
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|a Philosophy of Film and Motion Pictures
|h [electronic resource] :
|b An Anthology.
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260 |
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|a Newark :
|b John Wiley & Sons, Incorporated,
|c 2005.
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300 |
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|a 1 online resource (439 p.).
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|a New York Academy of Sciences Ser.
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500 |
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|a Description based upon print version of record.
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|a Philosophy of Film and Motion Pictures -- Contents -- Acknowledgments -- General Introduction -- Part I Film as Art -- Introduction -- 1 Photography and Representation -- 2 The Aesthetics of Photographic Transparency -- 3 Everybody Gets a Cut: DVDs Give Viewers Dozens of Choices -- and that's the Problem -- Part II What Is Film? -- Introduction -- 4 The World Viewed -- 5 A Note on the Film -- 6 Vision and Dream in the Cinema -- 7 The Long Goodbye: The Imaginary Language of Film -- 8 Moving Pictures -- 9 Defining the Moving Image -- Part III Documentary -- Introduction
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|a 10 Visible Traces: Documentary and the Contents of Photographs -- 11 Fiction, Non-Fiction, and the Film of Presumptive Assertion: A Conceptual Analysis -- Part IV Film Narrative/Narration -- Introduction -- 12 Le Grand Imagier Steps Out: The Primitive Basis of Film Narration -- 13 Unreliability Refigured: Narrative in Literature and Film -- Part V Film and Emotion -- Introduction -- 14 Film, Emotion, and Genre -- 15 Fearing Fictions -- 16 Empathy and (Film) Fiction -- 17 Identification and Emotion in Narrative Film -- 18 In Fictional Shoes: Mental Simulation and Fiction
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|a Part VI Topics in Film Criticism -- Introduction -- 19 Morals for Method -- 20 Cinematic Authorship -- 21 National Cinema, the Very Idea -- Part VII Film and Ethics -- Introduction -- 22 Film Criticism and Virtue Theory -- 23 Beauty and Evil: The Case of Leni Riefenstahl's Triumph of the Will -- 24 A First Look at the Pornography/Civil Rights Ordinance: Could Pornography Be the Subordination of Women? -- Part VIII Film and Knowledge -- Introduction -- 25 The Philosophical Limits of Film -- 26 Minerva in the Movies: Relations Between Philosophy and Film
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|a 27 Motion Pictures as a Philosophical Resource -- Select Bibliography by Jinhee Choi -- Index
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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655 |
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|a Electronic books.
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758 |
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|i has work:
|a Philosophy of film and motion pictures (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGYfpg99YYqxtPkqdMdgjC
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
8 |
|i Print version:
|a Carroll, Noël
|t Philosophy of Film and Motion Pictures
|d Newark : John Wiley & Sons, Incorporated,c2005
|z 9781405120265
|
830 |
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0 |
|a New York Academy of Sciences Ser.
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=7104548
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL7104548
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994 |
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|a 92
|b IZTAP
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