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EBOOKCENTRAL_on1347027308 |
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20240329122006.0 |
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230209s2009 xx o ||| 0 eng d |
040 |
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|a EBLCP
|b eng
|c EBLCP
|d OCLCQ
|d OCLCO
|d OCLCQ
|d EBLCP
|d OCLCQ
|d OCLCL
|d OCLCQ
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|a 9781444317503
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|a 1444317504
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|a (OCoLC)1347027308
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082 |
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|a 306
|q OCoLC
|2 22/eng/20230216
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049 |
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|a UAMI
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100 |
1 |
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|a Meisel, Perry.
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245 |
1 |
4 |
|a The Myth of Popular Culture
|h [electronic resource] :
|b From Dante to Dylan.
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260 |
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|a Newark :
|b John Wiley & Sons, Incorporated,
|c 2009.
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300 |
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|a 1 online resource (224 p.).
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490 |
1 |
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|a New York Academy of Sciences Ser.
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500 |
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|a Description based upon print version of record.
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|a Intro -- The Myth of Popular Culture -- Contents -- Preface: The Resistance to Pop -- Acknowledgments -- Part I "The Battle of the Brows" -- 1 A History of High and Low -- "Highbrow," "Lowbrow," "Middlebrow" -- "Folk" and "Soul" -- Dante's Republic -- "General Converse": Johnson and the Long Eighteenth Century -- "Similitude in Dissimilitude" -- Keats and Mediocrity -- Culture and Anarchy in the UK -- "The Battle of the Brows" -- "Kitsch" -- The Myth of Popular Culture -- 2 Pop Culture in the Spectator -- Poems of the People -- Canons and "Camp" -- Base and Superstructure, Soma and Psyche
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|a 3 Pop and Postmodernism -- The Social Self -- Andy Warhol -- "Hey, Rapunzel, Let Down Your Hair" -- Part II Dialectics of Pop -- 4 The Death of Kings: American Fiction from Cooper to Chandler -- "Paleface" and "Redskin," Cowboy and Dandy -- Pathfinding: Cooper and Mark Twain -- Labor, Leisure, Love: Melville, James, Hemingway -- Transatlantic: Raymond Chandler -- 5 Knock on Any Door: Three Histories of Hollywood -- Ars Gratia Artis -- Benjamin, Bazin, Eisenstein -- Dialectics of Directing: Hawks, Welles, Scorsese -- Dialectics of Acting: Barrymore, Bogart, Brando
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505 |
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|a Blonde on Blonde: Harlow and Monroe -- Hang 'Em High: Welles, Lewis, Eastwood -- 6 The Blues Misreading of Gospel: A History of Rock and Roll -- A Scandal in Bohemia -- Jazz Myth, Jazz Reality -- Soul Synthesis -- Plugging In -- Buddy Holly and the British Invasion -- The Body English -- Part III The World of Bob Dylan -- 7 Dylan and the Critics -- Falling -- The Limits of Typology -- Dylan as Poet -- 8 Words and Music -- Fractions -- "Slippin' and Slidin'" -- Dylan and Deferred Action -- 9 Dylan Himself -- The Death of the Author -- The Grand Tour and the Middle Passage -- Hortatory
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|a 10 The Three Icons: Sinatra, Presley, Dylan -- Iconography and Gender -- The Fedora as Phallus -- Elvis as Bobbysoxer -- "My Darling Young One" -- Works Cited -- Index
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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655 |
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0 |
|a Electronic books.
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758 |
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|i has work:
|a The myth of popular culture from Dante to Dylan (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGrvHYJWdrjBfjVvwhvg83
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
8 |
|i Print version:
|a Meisel, Perry
|t The Myth of Popular Culture
|d Newark : John Wiley & Sons, Incorporated,c2009
|z 9781405199346
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830 |
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0 |
|a New York Academy of Sciences Ser.
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856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=7104604
|z Texto completo
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936 |
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|a BATCHLOAD
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL7104604
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994 |
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|a 92
|b IZTAP
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