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EBOOKCENTRAL_on1347025827 |
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OCoLC |
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20240329122006.0 |
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m o d |
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230209s2012 xx o ||| 0 eng d |
| 040 |
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|a EBLCP
|b eng
|c EBLCP
|d OCLCQ
|d OCLCO
|d EBLCP
|d OCLCQ
|d OCLCL
|d OCLCQ
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| 020 |
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|a 9781444355932
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|a 1444355937
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|a (OCoLC)1347025827
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0 |
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|a 791.43/6556
|q OCoLC
|2 23/eng/20230216
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|a UAMI
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| 100 |
1 |
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|a Luhr, William.
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| 245 |
1 |
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|a Film Noir
|h [electronic resource].
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| 260 |
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|a Newark :
|b John Wiley & Sons, Incorporated,
|c 2012.
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| 300 |
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|a 1 online resource (218 p.).
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| 490 |
1 |
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|a New York Academy of Sciences Ser. ;
|v v.22
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| 500 |
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|a Description based upon print version of record.
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0 |
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|a Intro -- Praise for Film Noir -- New Approaches to Film Genre -- Title Page -- Copyright -- Dedication -- List of Plates -- Acknowledgments -- Chapter 1: Introduction -- The Longevity of Film Noir -- The Structure of This Book -- Chapter 2: Historical Overview -- Double Indemnity -- Beginnings -- Popularity and Parody -- Gender Destabilization: Broken Men and Empowered Women -- Social Context -- The Late 1940s: New Influences and Changes in Film Noir -- The 1960s: Transition in Hollywood and Revival of Film Noir -- The Revival of Classical Hollywood and the Rise of Neo-Noir
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| 505 |
8 |
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|a Changes in Film Censorship, Self-Referentiality, and Genre Blending -- Chapter 3: Critical Overview -- Emergence of a New Sensibility in American Film -- Early English-Language Discourse on Film Noir -- The Proliferation of Film Noir Studies -- Perspectives on the Generic Status of Film Noir -- The Reception Context of Film Noir -- Chapter 4: Murder, My Sweet -- A New Direction for Detective Movies -- Four Major Trends in Film Noir -- Farewell, My Lovely and Neo-Noir -- Chapter 5: Out of the Past -- The Filmmakers -- Narrative Complexity, Character Ambiguity, and Critical Acceptance of Film Noir
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| 505 |
8 |
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|a Retrospective Narration and the Power of the Past -- Subtextual and Symbolic Meanings -- Censorship, Race, Nation -- Neo-Noir and L.A. Confidential -- Chapter 6: Kiss Me Deadly -- Mike Hammer and His Corrupt World -- "Pulp" Atmosphere and Censorship Problems -- Formal Strategies -- Atomic Age Consumerism and Paranoia -- Nuclear Fission, Science Fiction, Apocalypse, and Resurrection -- Critical Reputation -- Chapter 7: The Long Goodbye -- The Film -- Hostile Initial Reception -- Marlowe -- Leigh Brackett, Chandler, Generic Change, and Marlowe -- Formal Strategies
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| 505 |
8 |
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|a The Long Goodbye and Non-Detective Films Noirs -- Chapter 8: Chinatown -- Chinatown as Neo-Noir -- Deceptive Appearances, Prejudicial Blindness, and Los Angeles's Chinatown -- Los Angeles History and Identity -- Immigrant Directors -- Genre Transformation -- Chapter 9: Seven -- Continuity with Film Noir -- Change and Evolution in Film Noir -- Seven and Neo-Noir -- Afterword -- References -- Further Reading -- Index
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| 590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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| 655 |
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0 |
|a Electronic books.
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| 758 |
|
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|i has work:
|a Film noir (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFCdrPj4M8FYdtMwJxXPQq
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|a Luhr, William
|t Film Noir
|d Newark : John Wiley & Sons, Incorporated,c2012
|z 9781444355956
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| 830 |
|
0 |
|a New York Academy of Sciences Ser.
|
| 856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=7104634
|z Texto completo
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| 938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL7104634
|
| 994 |
|
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|a 92
|b IZTAP
|
