Cargando…
The Anthropology of Art A Reader.
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newark :
John Wiley & Sons, Incorporated,
2006.
|
| Colección: | New York Academy of Sciences Ser.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- The Anthropology of Art
- Contents
- Acknowledgments
- About the Authors
- The Anthropology of Art: A Reflection on its History and Contemporary Practice
- Part I Foundations and Framing the Discipline
- 1 Primitive Art
- 2 Split Representation in the Art of Asia and America
- 3 Introduction to Tribes and Forms in African Art
- 4 Style, Grace, and Information in Primitive Art
- 5 Tikopia Art and Society
- 6 The Abelam Artist
- Part II Primitivism, Art, and Artifacts
- 7 Modernist Primitivism: An Introduction
- 8 Defective Affinities: ''Primitivism'' in 20th Century Art
- 9 Histories of the Tribal and the Modern
- 10 A Case in Point and Afterwords to Primitive Art in Civilized Places
- 11 Oriental Antiquities/Far Eastern Art
- 12 Introduction to Art/Artifact: African Art in Anthropology Collections
- 13 Vogel's Net: Traps as Artworks and Artworks as Traps
- Part III Aesthetics across Cultures
- 14 Yoruba Artistic Criticism
- 15 Style in Technology: Some Early Thoughts
- 16 ''Marvels of Everyday Vision'': The Anthropology of Aesthetics and the Cattle-keeping Nilotes
- 17 From Dull to Brilliant: The Aesthetics of Spiritual Power Among the Yolngu
- Part IV Form, Style, and Meaning
- 18 Visual Categories: An Approach to the Study of Representational Systems
- 19 Structural Patterning in Kwakiutl Art and Ritual
- 20 Sacred Art and Spiritual Power: An Analysis of Tlingit Shamans' Masks
- 21 All Things Made
- 22 Modernity and the ''Graphicalization'' of Meaning: New Guinea Highland Shield Design in Historical Perspective
- Part V Marketing Culture
- 23 Arts of the Fourth World
- 24 The Collecting and Display of Souvenir Arts: Authenticity and the ''Strictly Commercial''
- 25 The Art of the Trade: On the Creation of Value and Authenticity in the African Art Market
- Part VI Contemporary Artists
- 26 A Second Reflection: Presence and Opposition in Contemporary Maori Art
- 27 Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic Paintings
- 28 Aesthetics and Iconography: An Artist's Approach
- 29 Kinds of Knowing
- 30 Cew Ete Haw I Tih: The Bird That Carries Language Back to Another
- Index