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EBOOKCENTRAL_on1347024794 |
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OCoLC |
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20240329122006.0 |
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230209s2006 xx o ||| 0 eng d |
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|a EBLCP
|b eng
|c EBLCP
|d OCLCQ
|d EBLCP
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCL
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| 020 |
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|a 9781405155328
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|a 1405155329
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|a (OCoLC)1347024794
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|a 709.011
|q OCoLC
|2 22/eng/20230216
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| 049 |
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|a UAMI
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| 100 |
1 |
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|a Morphy, Howard.
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| 245 |
1 |
4 |
|a The Anthropology of Art
|h [electronic resource] :
|b A Reader.
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| 260 |
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|a Newark :
|b John Wiley & Sons, Incorporated,
|c 2006.
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| 300 |
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|a 1 online resource (576 p.).
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| 490 |
1 |
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|a New York Academy of Sciences Ser.
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| 500 |
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|a Description based upon print version of record.
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|a The Anthropology of Art -- Contents -- Acknowledgments -- About the Authors -- The Anthropology of Art: A Reflection on its History and Contemporary Practice -- Part I Foundations and Framing the Discipline -- 1 Primitive Art -- 2 Split Representation in the Art of Asia and America -- 3 Introduction to Tribes and Forms in African Art -- 4 Style, Grace, and Information in Primitive Art -- 5 Tikopia Art and Society -- 6 The Abelam Artist -- Part II Primitivism, Art, and Artifacts -- 7 Modernist Primitivism: An Introduction -- 8 Defective Affinities: ''Primitivism'' in 20th Century Art
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|a 9 Histories of the Tribal and the Modern -- 10 A Case in Point and Afterwords to Primitive Art in Civilized Places -- 11 Oriental Antiquities/Far Eastern Art -- 12 Introduction to Art/Artifact: African Art in Anthropology Collections -- 13 Vogel's Net: Traps as Artworks and Artworks as Traps -- Part III Aesthetics across Cultures -- 14 Yoruba Artistic Criticism -- 15 Style in Technology: Some Early Thoughts -- 16 ''Marvels of Everyday Vision'': The Anthropology of Aesthetics and the Cattle-keeping Nilotes -- 17 From Dull to Brilliant: The Aesthetics of Spiritual Power Among the Yolngu
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| 505 |
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|a Part IV Form, Style, and Meaning -- 18 Visual Categories: An Approach to the Study of Representational Systems -- 19 Structural Patterning in Kwakiutl Art and Ritual -- 20 Sacred Art and Spiritual Power: An Analysis of Tlingit Shamans' Masks -- 21 All Things Made -- 22 Modernity and the ''Graphicalization'' of Meaning: New Guinea Highland Shield Design in Historical Perspective -- Part V Marketing Culture -- 23 Arts of the Fourth World -- 24 The Collecting and Display of Souvenir Arts: Authenticity and the ''Strictly Commercial''
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| 505 |
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|a 25 The Art of the Trade: On the Creation of Value and Authenticity in the African Art Market -- Part VI Contemporary Artists -- 26 A Second Reflection: Presence and Opposition in Contemporary Maori Art -- 27 Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic Paintings -- 28 Aesthetics and Iconography: An Artist's Approach -- 29 Kinds of Knowing -- 30 Cew Ete Haw I Tih: The Bird That Carries Language Back to Another -- Index
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| 590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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| 655 |
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0 |
|a Electronic books.
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| 758 |
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|i has work:
|a The anthropology of art (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCYVf6hVmpWfWFdFbWCRFXb
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Morphy, Howard
|t The Anthropology of Art
|d Newark : John Wiley & Sons, Incorporated,c2006
|z 9781405105620
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| 830 |
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0 |
|a New York Academy of Sciences Ser.
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| 856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=7104554
|z Texto completo
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| 938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL7104554
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| 994 |
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|a 92
|b IZTAP
|
