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20240329122006.0 |
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230209s2015 xx o ||| 0 eng d |
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|a EBLCP
|b eng
|c EBLCP
|d OCLCQ
|d OCLCO
|d OCLCQ
|d EBLCP
|d OCLCQ
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| 020 |
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|a 9781119014959
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|a 1119014956
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|a (OCoLC)1347023594
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0 |
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|a 791.43/6582
|q OCoLC
|2 23/eng/20230216
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|a UAMI
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| 100 |
1 |
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|a Tasker, Yvonne.
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| 245 |
1 |
4 |
|a The Hollywood Action and Adventure Film
|h [electronic resource].
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| 260 |
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|a Newark :
|b John Wiley & Sons, Incorporated,
|c 2015.
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| 300 |
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|a 1 online resource (222 p.).
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| 490 |
1 |
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|a New York Academy of Sciences Ser.
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|a Description based upon print version of record.
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|a Intro -- Title Page -- Copyright Page -- Contents -- List of Plates -- Acknowledgments -- Chapter 1 Action and Adventure as Genre -- Theories of Genre: Author, Icon and Industry -- Theorizing Genre History: Evolution and Industry -- Action: Elements of Genre -- Action and/or Adventure -- Hybrid Genres -- Chapter 2 Action and Adventure: Historical and Cultural Overview -- Cut to the Chase: Action in Early and Silent Cinema -- Action and Adventure in the Studio Era -- World War II and Post-War Action -- Action and Adventure in the "New Hollywood" -- Action Cinema: Violence, Spectacle
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|a Chapter 3 Critical Perspectives on Action and Adventure -- Action Aesthetics: Exhilaration and Destruction -- Adventure Cinema: Narrative, Space and Time -- The Cultural Politics of Action -- Race and Action-Adventure Cinema -- Women in Action: Theoretical Perspectives on Gender and Agency -- Postmodern Action -- Chapter 4 Silent Spectacle and Classical Adventure: The Thief of Bagdad (1924) and The Adventures of Robin Hood (1938) -- Adventure Spectacle in Silent Hollywood: The Thief of Bagdad (1924) -- Classical Adventure: The Adventures of Robin Hood (1938) -- Conclusion
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|a Chapter 5 War, Violence and the American Action Hero: Sands of Iwo Jima (1949) and Hell is for Heroes (1962) -- John Wayne, Outsider Masculinity and The Sands of Iwo Jima -- Hell is for Heroes: Violence, Heroism and the "Dirty" War Films of the 1960s -- Conclusion -- Chapter 6 Violence and Urban Action: Dirty Harry (1971) -- Action and the Urban Environment -- The Vigilante Hero: Myths of Redemptive Violence -- Conclusion: Action Masculinity -- Chapter 7 Nostalgic Adventure and Recycled Culture: Raiders of the Lost Ark (1981) and Pirates of the Caribbean (2003)
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|a Raiders of the Lost Ark: Adventure Cinema and Historical Pastiche -- Pirates of the Caribbean: Theme Park Cinema -- Chapter 8 Action Blockbusters in the 1980s: Rambo: First Blood Part II (1985) and Die Hard (1988) -- Rambo, the Vietnam Veteran and Masculinity in 1980s Action -- Die Hard, the Everyman Hero and Spaces of Action -- Chapter 9 Global and Postmodern Action: Crouching Tiger, Hidden Dragon (2000) and Kill Bill (2003) -- Transnational Action: Crouching Tiger, Hidden Dragon -- Postmodern Action: Kill Bill -- Chapter 10 Espionage Action: The Bourne Identity (2002) and Salt (2010)
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| 505 |
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|a Action Hero as No-Man: The Bourne Identity -- The Female Spy in Espionage Action: Salt -- Chapter 11 Superhero Action Cinema: X-Men (2000) and The Avengers (2012) -- Mutants and Others: X-Men -- Superhero Spectacle: The Avengers -- Bibliography -- Index -- EULA
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| 590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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| 655 |
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0 |
|a Electronic books.
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| 776 |
0 |
8 |
|i Print version:
|a Tasker, Yvonne
|t The Hollywood Action and Adventure Film
|d Newark : John Wiley & Sons, Incorporated,c2015
|z 9780470659243
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| 830 |
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0 |
|a New York Academy of Sciences Ser.
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| 856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=7104343
|z Texto completo
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| 938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL7104343
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| 994 |
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|a 92
|b IZTAP
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