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Fantasmic objects : art and sociality from Lebanon, 1920-1950 /

"In Lebanon, the study of modern art-rather than power or hierarchy-has compelled citizens to confront how they define themselves as a postcolonial nation. In Fantasmic Objects, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing o...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Scheid, Kirsten, 1970- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, Indiana : Indiana University Press, [2022]
Colección:Public cultures of the Middle East and North Africa.
Temas:
Acceso en línea:Texto completo

MARC

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049 |a UAMI 
100 1 |a Scheid, Kirsten,  |d 1970-  |e author. 
245 1 0 |a Fantasmic objects :  |b art and sociality from Lebanon, 1920-1950 /  |c Kirsten L. Scheid. 
246 3 0 |a Art and sociality from Lebanon, 1920-1950 
264 1 |a Bloomington, Indiana :  |b Indiana University Press,  |c [2022] 
264 4 |c ©2022 
300 |a 1 online resource (xxvi, 344 pages) :  |b illustrations (some color). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Public cultures of the Middle East and North Africa 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction : No Art Here -- Exhibitions : Sociality as Fantasm -- Nudes : The Citizen as Fantasm -- Landscapes : The Nation as Fantasm -- Art Lessons : Fantasmic Formations of the Lady-Artist -- Portraits : Toward a Fantasmic Ontology of Art Acts -- Conclusion : Between Art and Here. 
520 |a "In Lebanon, the study of modern art-rather than power or hierarchy-has compelled citizens to confront how they define themselves as a postcolonial nation. In Fantasmic Objects, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship. Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon"--  |c Provided by publisher. 
588 |a Description based on online resource; title from digital title page (viewed on December 19, 2022). 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Art, Lebanese  |y 20th century. 
650 0 |a Art and society  |z Lebanon. 
650 6 |a Art libanais  |y 20e siècle. 
650 6 |a Art et société  |z Liban. 
650 7 |a SOCIAL SCIENCE / Anthropology / Cultural  |2 bisacsh 
650 7 |a Art and society  |2 fast 
650 7 |a Art, Lebanese  |2 fast 
651 7 |a Lebanon  |2 fast 
648 7 |a 1900-1999  |2 fast 
776 0 8 |i Print version:  |a Scheid, Kirsten, 1970-  |t Fantasmic objects  |d Bloomington, Indiana : Indiana University Press, 2022  |z 9780253064233  |w (DLC) 2022028243 
830 0 |a Public cultures of the Middle East and North Africa. 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=30406658  |z Texto completo 
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938 |a Project MUSE  |b MUSE  |n musev2_112112 
938 |a YBP Library Services  |b YANK  |n 303114730 
938 |a EBSCOhost  |b EBSC  |n 3380861 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL7083250 
994 |a 92  |b IZTAP