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A Companion to Indian Cinema

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Majumdar, Neepa
Otros Autores: Mazumdar, Ranjani
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newark : John Wiley & Sons, Incorporated, 2021.
Colección:Wiley Blackwell Companions to National Cinemas Ser.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro
  • A Companion to Indian Cinema
  • Contents
  • Notes on Contributors
  • Acknowledgements
  • Introduction
  • Part I Production Cultures and Circulation
  • 1 Risky Business: The Structure and Practice of Formal Film Distribution in the Hindi Film Industry
  • 2 Spectators from the Past: Remakes, Development, and the Bhojpuri Audience
  • 3 (Not So) Far from Bollywood: Videocinemas of India
  • Part II Cinema and Material Traces
  • 4 Shifty Outfits: Envisioning the Hindi Film Villain
  • 5 Archival Conjugations: Queer Traces of Love and Loss in Bombay Cinema
  • 6 Excavating Movie Queens: The Curious Case of the James Burke Photographs
  • 7 Scenes of Horror: Reading the Documents of Indian Film Censorship
  • Part III Voices, Bodies, and Figures of Influence
  • 8 Dance and Ludic Queerness: A Genealogy of Gestures from Bhagwan to Bachchan
  • 9 Performing the Bhadramahila: Suchitra Sen and Popular Bangla Cinema
  • 10 Volatile Scales, Contingent Bodies: The Many Voices of Asha Bhosle
  • 11 Contemporary Bengali Cinema: Nostalgia, Politics, and the Ghosts of Satyajit Ray
  • 12 The Tamasha Film: Gender, Performance, and Melodramatic Form
  • Part IV The Nonfiction Impulse
  • 13 The Shikar Film and Photograph: Hunting in Colonial India
  • 14 Moving Images: Documentary, Sexual Dissidence, and Vectors of Desire
  • 15 The Other Song: Gender, Performance, and Aurality in Documentary Film
  • 16 Infrastructures of Political Address: The Film and Media Archive
  • Part V Transnational and Transregional Circuits
  • 17 In and Out of Alignment: Cold War Sentiment and Hollywood-Bombay Film Diplomacy in the 1950s
  • 18 Coming into Cinema: Critical Cosmopolitanisms of Malayalam Cinema (1930-1955)
  • 19 Affective Logics: Re-making Fidelity and Homosociality in Kaante
  • 20 The "Conscience of Bollywood" in China: Aamir Khan and Transnational Spreadable Media
  • 21 "Get on the Train, Baby!" Joining Kashmir and Kanyakumari through Hinglish and English Accents and Language in Chennai Express (2013)
  • Part VI Reflections on the Medium/Media Inscriptions
  • 22 Staging the Screen, Screening the Stage: Mediation and the Problem of Cinematic Self-Reflexivity
  • 23 Radical Time: 1971 and Art
  • 24 Technological Obsolescence and Space in Bombay Cinema
  • 25 From Unattainable to Distantly Watched Films: Film Archives and their Digital Futures
  • Index
  • EULA