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The Birth and Development of the Idealized Concept of Arcadia in the Ancient World

Bringing together for the first time all the available evidence for the origination and development of the concept of Arcadia, from the Homeric period to the early Roman Empire, this book brings to light a treasure-trove of evidence, both well-known and obscure or fragmentary, filling a significant...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Corso, Antonio
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oxford : Archaeopress, 2022.
Temas:
Acceso en línea:Texto completo

MARC

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008 220806s2022 enk o ||| 0 eng d
040 |a EBLCP  |b eng  |c EBLCP  |d REDDC  |d OCLCO 
020 |a 9781803271651 
020 |a 1803271655 
035 |a (OCoLC)1338840130 
050 4 |a PA3015.A77  |b .C677 2022 
082 0 4 |a 880.09  |2 23 
049 |a UAMI 
100 1 |a Corso, Antonio. 
245 1 4 |a The Birth and Development of the Idealized Concept of Arcadia in the Ancient World  |h [electronic resource]. 
260 |a Oxford :  |b Archaeopress,  |c 2022. 
300 |a 1 online resource (198 p.) 
500 |a Description based upon print version of record. 
505 0 |a Cover -- Title Page -- Copyright Page -- Contents Page -- List of Figures -- Figure 1: Corinthian orientalizing jug (Munich, Antikensammlung). -- Figure 2: Gypsum alabaster relief with garden. From Niniveh, North Palace, room H (London, The British Museum, Middle East Department). -- Figure 3: Gold bowl found in the tomb of Yaba, wife of Tiglat-Pileser III (Baghdad, Iraq Museum). -- Figure 4: Samian cup, Paris (Louvre, DAGER). -- Figure 5: The Priam Painter, amphora from Caere (Rome, National Museum of Villa Giulia). 
505 8 |a Figure 6: Cover slab of the Diver's tomb from Paestum (National Archaeological Museum of Paestum). -- Figure 7: The Achilles Painter, lekythos (Munich, Antikensammlung). -- Figure 8: The Attic Phiale Painter, krater (Rome, The Vatican Museums, Museo Gregoriano Profano). -- Figure 9: Relief from Daphni (Athens, The National Archaeological Museum). -- Figure 10: Reverse of coin type of Megara struck in Antonine times with running Artemis, inspired by Strongylion's Artemis at Megara (London, The British Museum: Department of Coins). 
505 8 |a Figure 11: The Eretria Painter, epinetron (Athens, The National Archaeological Museum). -- Figure 12: The Meidias Painter, hydria (London, The British Museum). -- Figure 13: Pebble mosaic from Olynthus, Villa of Good Fortune (Greece). -- Figure 14: Dresden Artemis, copy from Praxiteles' Artemis at Megara (Dresden, Staatlische Kunstsammlungen, Skulpturensammlung). -- Figure 15: Artemis on coin of Mantinea, inspired by Praxiteles' Artemis at Mantinea (Athens, The Numismatic Museum). -- Figure 16: The Versailles Artemis (Paris, Louvre, DAGER). 
505 8 |a Figure 17: Artemis on coin of Anticyra, inspired by Praxiteles' Artemis at Anticyra (Athens, The Numismatic Museum). -- Figure 18: Artemis, bronze statuette close to the Malta type (Museo Nazionale Concordiese, Portogruaro). -- Figure 19: Knidia Belvedere, copy from Praxiteles' Aphrodite at Knidos (Rome, Vatican Museums). -- Figure 20: Resting Satyr, copy from original statue by Praxiteles (Rome, Capitoline Museums). -- Figure 21: Apollo Sauroctonus, copy from original statue by Praxiteles (Rome, Vatican Museums). 
505 8 |a Figure 25: Praxiteles, Hermes carrying baby Dionysus (Olympia, Archaeological Museum). -- Figure 26: Sleeping Eros (Turin, Museum of Antiquities). -- Figure 27: The Lycian Sarcophagus from Sidon, hunting scene (Istanbul, Archaeological Museum). -- Figure 28: The Satrap Sarcophagus from Sidon, hunting scene (Istanbul, Archaeological Museum). -- Figure 29: The Nereids' monument at Xanthus, hunting scene (London, The British Museum). -- Figure 30: Hunting scene on the sarcophagus of Hecatomnus (Hecatomneion, Mylasa). 
500 |a Figure 31: Hunting of the Calydonian boar, east pediment, temple of Athena Alea at Tegea (reconstruction drawing by Stewart 1977). 
520 |a Bringing together for the first time all the available evidence for the origination and development of the concept of Arcadia, from the Homeric period to the early Roman Empire, this book brings to light a treasure-trove of evidence, both well-known and obscure or fragmentary, filling a significant gap in the scholarly bibliography. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Arcadia in art. 
650 0 |a Arcadia in literature. 
650 0 |a Art and literature  |z Greece. 
650 0 |a Art, Greek. 
650 0 |a Greek literature  |x History and criticism. 
650 6 |a Art et littérature  |z Grèce. 
650 6 |a Littérature grecque  |x Histoire et critique. 
776 0 8 |i Print version:  |a Corso, Antonio  |t The Birth and Development of the Idealized Concept of Arcadia in the Ancient World  |d Oxford : Archaeopress,c2022  |z 9781803271644 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=7054345  |z Texto completo 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL7054345 
994 |a 92  |b IZTAP