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|a UAMI
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|a Place matters (Montréal, Québec)
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1 |
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|a Place matters :
|b critical topographies in word and image /
|c edited by Jonathan Bordo and Blake Fitzpatrick.
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|a Montreal ;
|a Kingston ;
|a London ;
|a Chicago :
|b McGill-Queen's University Press,
|c [2022]
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300 |
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|a 1 online resource (xxv, 301 pages) :
|b illustrations, maps.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
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|a online resource
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|a Many but not all the contributions in this volume originated as presentations at the Critical Topography conference in 2015.
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|a Includes bibliographical references and index.
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|a "A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In Place Matters scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. Lavishly illustrated, the volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography's tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here? Chapters map the deep cultural, environmental, and political histories of singular places, interrogating the charged relation between history, place, and power and identifying the territorial imperatives of place making in such sites as Colonus, Mont Sainte-Victoire, Chomolungma/Everest, Hiroshima, Fort Qu'Appelle, Donetsk airport, and the island of Lesbos. With contributions from the renowned artists Hamish Fulton and Edward Burtynsky, the Swedish poet Jesper Svenbro, and others, the collection examines profound shifts in place-based thinking as it relates to the history of art, the anthropocene and nuclear ruin, borders and global migration, residential schools, the pandemic, and sites of refuge."--
|c Provided by publisher.
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|a Description based on online resource; title from digital title page (viewed on December 20, 2022).
|
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|t Front Matter --
|t Contents --
|t Figures --
|t Acknowledgments --
|t Prologue --
|t Introduction /
|r Jonathan Bordo and Blake Fitzpatrick --
|t Landscape, Art, and Ecology --
|t From Nature? The Critical Landscapes of Poussin and Cézanne /
|r Paul Duro --
|t Newfoundland Painting and the Metaphysics of Light /
|r Jennifer Dyer --
|t Placing Here: Finlay, Fulton, and Skelton and the Formation of the British School of Aesthetic Chorography /
|r Jessica Becking --
|t The "Art of Walking" according to the Puritans /
|r Jason LaFountain --
|t The Hamish Fulton Album --
|t Fulton's Walks: Between Documentation and Experience /
|r Blake Fitzpatrick --
|t Hamish Fulton Interview /
|r Hamish Fulton, Jonathan Bordo, and Blake Fitzpatrick --
|t Walking with Hamish Fulton into the Vanishing Point vers le Canada /
|r Jonathan Bordo --
|t The Anthropocene, Ruins, and Nuclear Exposure --
|t Placing the Anthropocene /
|r Peter C. van Wyck --
|t A Haunt of Jackals: Towards a Critical Topography of Ruins /
|r Ihor Junyk --
|t Borders and Trauma --
|t Conversations on Walls /
|r Margaret Olin --
|t Manto's Madmen: Partition and Psychoanalytic Displacement in "Toba Tek Singh" /
|r Anhiti Patnaik --
|t Memory and the Keeping Place --
|t The Darkest Tapestry: Indian Residential School Memorialization and the Model for a "Keeping Place" in the Qu'Appelle Valley /
|r Amber D.V.A. Johnson --
|t The Community for Which the Land Longs: Cape Town's District Six Museum /
|r Christiaan Beyers --
|t Ai Weiwei's Memory Work at Lesbos, Greece /
|r Kara York --
|t Geopoetics --
|t The Messon of the Island of Lesbos: Toponym as Evidence in the History of Ideas, or Introduction to Ten Poems from The Name of Sappho's Daughter /
|r Jesper Svenbro --
|t Epilogue: Announcing the Disaster /
|r Jonathan Bordo --
|t Postscript /
|r Jonathan Bordo --
|t Contributors --
|t Index
|
590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
650 |
|
0 |
|a Place (Philosophy) in art.
|
650 |
|
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|a Place (Philosophy) in literature.
|
650 |
|
0 |
|a Landscapes in art.
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650 |
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|a Geocriticism.
|
650 |
|
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|a Symbolism.
|
650 |
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6 |
|a Lieu (Philosophie) dans l'art.
|
650 |
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|a Lieu (Philosophie) dans la littérature.
|
650 |
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|a Paysages dans l'art.
|
650 |
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|a Géocritique.
|
650 |
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|a ART / Environmental & Land Art.
|2 bisacsh
|
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|
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|a Geocriticism
|2 fast
|
650 |
|
7 |
|a Landscapes in art
|2 fast
|
650 |
|
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|a Place (Philosophy) in art
|2 fast
|
650 |
|
7 |
|a Place (Philosophy) in literature
|2 fast
|
650 |
|
7 |
|a Symbolism
|2 fast
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700 |
1 |
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|a Bordo, Jonathan,
|e editor.
|
700 |
1 |
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|a Fitzpatrick, Blake,
|d 1955-
|e editor.
|1 https://id.oclc.org/worldcat/entity/E39PCjCj7cFTt8f9RBtDkXy9j3
|
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|i Print version:
|t Place matters.
|d Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2022
|z 0228013909
|z 9780228013907
|w (OCoLC)1309057432
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=30159071
|z Texto completo
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