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An introduction to the phenomenology of performance art : Self/s /
An introduction to the study and application of performance art through phenomenology for radical artists, educators and practitioner-researchers. Features exercises to activate your practice, clear introductory definitions to key phenomenological terms, and a multimodal design that lets the reader...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect Books Ltd,
2022.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Front Cover
- Half Title
- Frontispiece
- Title Page
- Copyright Page
- Dedication
- Epigraph
- Table of contents
- Acknowledgements
- Foreword Enduring Reorientations: Self, Time, and Space in Performance
- Author's Note
- Introduction
- 1 Embodied Experience
- Identity, Sexuality, and Gender
- Lori Baldwin
- Anne Bean
- Rosana Cade and Will Dickie
- Esther Marveta Neff
- Niko Wearden
- Cultural Contexts
- Jamal Harewood
- Regina José Galindo
- Health and Dis/Ability
- Katherine Araniello
- Kamil Guenatri
- 2 The Rapture and Rupture of the Lived Body
- Rapture
- Rocio Boliver
- Louis Fleischauer
- Weeks and Whitford
- Rupture
- Hellen Burrough
- Arianna Ferrari
- Ernst Fischer
- 3 The Intersubjectivity and Intercorporeality of Noise and Sonic Arts
- Sound through the Body
- Sarah Glass
- Joke Lanz
- Mother Disorder
- Sound through Collaboration
- FK Alexander
- Clive Henry and Yol
- 4 The Perception of Self/s
- Vulnerability
- Helena Goldwater
- Natalie Ramus
- Helen Spackman
- Failure
- Chelsea Coon
- Selina Bonelli
- Heather Sincavage
- Extremis
- tjb
- Hancock and Kelly
- Niko Raes
- Postface The Argument for Queering 'The Origin of the Work of Art'
- Manifesto for Performance Artist as Artwork
- Notes
- Bibliography
- Back Cover