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Expressionism in the Cinema

An innovative and wide-ranging collection, Expressionism in Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Brill, Olaf
Otros Autores: Rhodes, Gary D.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, 2017.
Colección:Traditions in World Cinema Ser.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro
  • EXPRESSIONISM IN THE CINEMA
  • Copyright
  • Contents
  • Illustrations
  • Contributors
  • TRADITIONS IN WORLD CINEMA
  • Introduction
  • 1. Expressionist Cinema- Style and Design in Film History
  • 2. Of Nerves and Men: Postwar Delusion and Robert Reinert's Nerven
  • 3. Franjo Ledic: A Forgotten Pioneer of German Expressionism
  • 4. Expressionist Film and Gender: Genuine, A Tale of a Vampire (1920)
  • 5. "The Secrets of Nature and Its Unifying Principles": Nosferatu (1922) and Jakob von Uexküll on Umwelt
  • 6. Raskolnikow (1923): Russian Literature as Impetus for German Expressionism
  • 7. The Austrian Connection: The Frame Story and Insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918)
  • 8. "The reawakening of French cinema":
  • 9. Here Among the Dead: The Phantom Carriage (1921) and the Cinema of the Occulted Taboo
  • 10. Drakula halála (1921): The Cinema's First Dracula
  • 11. Le Brasier ardent (1923): Ivan Mosjoukine's clin d'œil to German xpressionism
  • 12. Nietzsche's Fingerprints on The Hands of Orlac (1924)
  • 13. "True, Nervous": American Expressionist Cinema and the Destabilized Male
  • 14. Dos monjes (1934) and the Tortured Search for Truth
  • 15. Maya Deren in Person in Expressionism
  • Index of Names
  • Index of Film Titles