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Roll over, Tchaikovsky! : Russian popular music and post-Soviet homosexuality /
Centered on the musical experiences of homosexual men in St. Petersburg and Moscow, this ground-breaking study examines how post-Soviet popular music both informs and plays off of a corporeal understanding of Russian male homosexuality. Drawing upon ethnography, musical analysis, and phenomenologica...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
2014.
|
| Colección: | New perspectives on gender in music.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Amico, Stephen. | |
| 245 | 1 | 0 | |a Roll over, Tchaikovsky! : |b Russian popular music and post-Soviet homosexuality / |c Stephen Amico. |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c 2014. | |
| 300 | |a 1 online resource (xii, 316 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a New perspectives on gender in music | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | |a Description based on print version record and CIP data provided by publisher; resource not viewed. | ||
| 505 | 0 | |a Introduction : homosexual bodies/ embodied homosexuality -- Music, form, penetration -- Phantom faggots -- Corporeal itentions -- Gay-made space -- Conclusion : the eloquence of flesh. | |
| 520 | |a Centered on the musical experiences of homosexual men in St. Petersburg and Moscow, this ground-breaking study examines how post-Soviet popular music both informs and plays off of a corporeal understanding of Russian male homosexuality. Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico argues that the homosexual body in post-Soviet Russia rejects both the Soviet aversion to physical pleasure and the Western politicization of sexuality. Instead, both listeners and performers turn to popular music for a framework within which they can experience an embodied sense of sexuality, the self, and intersubjectivity. | ||
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| 650 | 0 | |a Homosexuality and popular music |z Russia. | |
| 650 | 0 | |a Gay culture |z Russia. | |
| 650 | 0 | |a Popular music |x Social aspects |z Russia. | |
| 650 | 6 | |a Homosexualité et musique populaire |z Russie. | |
| 650 | 6 | |a Culture homosexuelle |z Russie. | |
| 650 | 6 | |a Musique populaire |x Aspect social |z Russie. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Gay Studies. |2 bisacsh | |
| 650 | 7 | |a Gay culture |2 fast | |
| 650 | 7 | |a Homosexuality and popular music |2 fast | |
| 650 | 7 | |a Popular music |x Social aspects |2 fast | |
| 651 | 7 | |a Russia |2 fast | |
| 776 | 0 | 8 | |i Print version: |t Roll over, Tchaikovsky! |d Urbana : University of Illinois Press, 2014. |z 9780252038273 (cloth : alk. paper) |w (DLC) 2013043167 |
| 830 | 0 | |a New perspectives on gender in music. | |
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