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|a Spectacle /
|c [edited by Bruce Magnusson and Zahi Zalloua].
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|a 1 online resource (ix, 229 pages).
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|a Global Re-visions
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|a Includes bibliographical references (pages 183-199) and index.
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|a Description based on print version record and CIP data provided by publisher; resource not viewed.
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|a COVER; TITLE; COPYRIGHT; CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION: From Events to Spectacles; 1 MEDIA SPECTACLE AND THE NORTH AFRICAN ARAB UPRISINGS: Some Critical Reflections; 2 MEDIATING MEMORIES; 3 PREDICTION, PROXIMITY, AND COSMOPOLITANISM IN GLOBAL SPECTACLES; 4 THE BIOPOLITICS OF SPECTACLE: Salvation and Oversight at the Post-Military Nature Refuge; 5 DREAM FACTORY DÉTOURNEMENT: Freewaves, Art, and Urban Redevelopment in Hollywood; BIBLIOGRAPHY; NOTES ON CONTRIBUTORS; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z
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|a Global media and advances in technology have profoundly affected the way people experience events. The essays in this volume explore the dimensions of contemporary spectacles from the Arab Spring to spectatorship in Hollywood. Questioning the effects that spectacles have on their observers, the authors ask: Are viewers robbed of their autonomy, transformed into depoliticized and passive consumers, or rather are they drawn in to cohesive communities? Does their participation in an event--as audiences, activists, victims, tourists, and critics--change and complicate the event itself? Spectacle looks closely at the permeable boundaries between the reality and fiction of such events, the methods of their construction, and the implications of those methods.
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|a Mass media and globalization.
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|a Communication, International.
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|a Médias et mondialisation.
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|a Communication internationale.
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|a Magnusson, Bruce A.,
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|a Zalloua, Zahi Anbra,
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|i Print version:
|t Spectacle
|d Seattle : University of Washington Press, 2016.
|z 9780295995021 (hardcover : acid-free paper)
|w (DLC) 2015029036
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|a Global re-visions.
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